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Brush Shape Differences

Paintbrushes are available in a wide variety of shapes. Selecting a brush shape that is suitable for your media, style, and scale can help you more easily achieve your artistic goals. Whether you’re adding intricate details and textures or laying in large areas of water or color, our comprehensive guide will help you select the right brush shape for any painting project. To learn more about brushes, visit [Brush Fiber Differences](https://www.dickblick.com/lp/brush-fiber-differences/ "Brush Fiber Differences") and [How to Measure a Brush](https://www.dickblick.com/lp/how-to-measure-a-brush/ "How to Measure A Brush").

Frequently Asked Questions

Use the bases of discarded containers to make a plaster sea urchin sculpture. Many bases are already divided into fifths — perfect symmetry for a sea urchin “test”, or shell. Embellish dry plaster by adding dots of paint using a paintbrush handle, detail writers, or a small squeeze bottle. Create an entire colony of sea creatures for the classroom!

Students will create a small scale model that will teach them to design a free-standing object considering both structural and design components

Use inks and alcohol to create interactive diffused patterns on paper. Bright inks and common rubbing alcohol work together to create surprising results! Experiment with dark over light, or light over dark. Try applying alcohol with tools such as brush handles, by dripping, or with an atomizer bottle. Use this technique in compositions or as a way to make decorative papers for other uses.

Suminagashi is a process in which Sumi ink is floated on the surface of plain water, then transferred to a sheet of paper. Each monoprint is like a fingerprint — unique and unreproducible.

Yayoi Kusama is obsessed with dots and has been using them since her role as an avant-garde artist in 1960s counterculture. And why not? Dots are fun, dots are fast, dots are universal. They can be rounded or spherical, they can rise above a surface or remain flat. Anyone can start with a dot, diverge to a pattern, and end with a painting or assemblage. The trick is repetition — of shape, sizes, colors, and patterns.