Mottler Brushes

Versatile 2" wide brush is for watercolors — large washes and for wetting paper. And with oils or acrylics for laying-in large areas of color. Also for priming or varnishing. Pure white hog bristle in nickel-plated steel ferrule.

Da Vinci Black Goat Hair Wash Mottler brushes are similar in softness to squirrel hair but at a fraction of the cost. They will hold lots of water and can be used for washing, varnishing, imitating, and priming.

Da Vinci Maestro 2 Hog Bristle brushes are meticulously crafted, with extra strong, yet elastic double-boiled bristles to give more spring and longer life. The hand-shaped and interlocking bristles provide better color-carrying ability.

The Escoda Aquario 2032 is a flat, straight edged brush for painting broad passages, washes, and for varnishing. The short, tightly crimped squirrel hair offers terrific control, and a soft, fluid stroke. Escoda specially cures each handcrafted brush.

The Escoda Clasico Chunking is a long-lasting, high quality, economical handcrafted brush. The long white hog-bristle is great for varnish and gesso. It keeps an excellent edge for a controlled application. Escoda cures each brush.

These expertly crafted Natural Chungking brushes are perfect for covering large areas. If it's natural bristle you want, these are the finest available for large scale glazing and decorating applications.

Loaded with top-quality natural Shanghai Chungking hog bristle, this expertly crafted brush is perfect for covering large areas. The flat shape delivers fantastic control, so it can be used for more detailed areas as well.

This expertly crafted brush is perfect for covering large areas. If it's natural bristle you want, it's the finest available for varnishing, gessoing, glazing, and similar applications. Each brush is loaded with natural Shanghai Chungking hog bristle.

Raphaël Oleo Flat Brushes are a high-quality brush made with durable natural bristle to ensure elasticity and longevity. Ideal for acrylics, oil paints, and gesso, they are capable of holding a heavy paint load.

Silver Brush Atelier Badger Blend Mottler Brushes feature a blend of badger and synthetic bristles that is perfect for blending or softening edges in oil, acrylic, and watercolor paintings. Extra-long handles extend the artist's reach on large canvases. Rustproof copper ferrules.

Silver Brush Atelier Hog Bristle Mottler Brushes feature high-quality Hog Bristle for precision and control. These large brushes are Ideal for varnishing, graining, transparent painting, priming, controlled strokes, and textures. Extra-long handles and rustproof copper ferrules.

A blend of natural squirrel hair and black synthetic filament combines to provide excellent carrying capacity with control, spring, and precise pointing. Black Velvet brushes are full bodied, with a wonderful snap.

Utrecht Rhenish Pure Hog Bristle Brushes are made from hand-tied bundles of naturally curved, interlocked bristles with soft flagged tips. They offer great paint-holding capacity, especially with heavy-body paints. Nickel-plated, double-crimped, seamless ferrules; long hardwood handles.

The stiff yet ultra-soft filaments in these beautiful synthetic brushes are great for blending and softening within oil paintings, but also work well for faux finishing, adding texture, glazing, varnishing, glass painting, and art conservation.

Fine, high-quality Falbex synthetic filaments adjust smoothly to any surface, for full, even paint application with no brush marks. Choose from three shapes. Suitable for finishing, varnishing, chalky paints, glazing, and murals. Stainless steel ferrules; beechwood handles.

The No. 1 brush of the Urban Sketching movement, The Da Vinci Casaneo features Da Vinci's innovative "wavy fiber” that returns to a point or edge far better than any synthetic squirrel brush. Excellent for watercolors, gouache, acrylics, inks, and for calligraphy and silk painting.

Holds more water than any other synthetic. Large belly tapers to a fine point. The blending and placement of 5 different diameters of fine synthetic filaments make it perform like natural hair. The long-lasting, high quality fiber has an energetic spring.

Da Vinci Grigio Synthetic Brushes are made from different diameters of New Wave synthetic fiber, with a slightly rough texture for color absorption, strength, and elasticity. Ideal for subtle oil painting techniques plus a diverse range of acrylic techniques. Long handles. Vegan.

Da Vinci's Series 5040 Mottler is great for washes in watercolor and fluid acrylic, and for gessoing and varnishing. If you prefer a synthetic for these applications, this is as good as it gets.

Da Vinci Top Acryl brushes are extra stiff and rugged. Multi-diameter construction holds and absorbs more paint and stands up to heavy body acrylics, water-soluble oils, and any type of gel or pumice mediums.

Escoda's Series 2336 is a flat, straight edged brush for painting broad passages, washes, and for varnishing. Barroco Toray Gold is the finest quality synthetic fiber available. Slightly stiffer than the Toray white, it keeps an excellent point and edge.

Princeton Catalyst Polytip Bristle Brushes are another Princeton breakthrough that advances the science of synthetic hair. By giving each individual hair two to three distinct tips, Polytip bristles are able to hold a higher volume of paint while providing smoother application.

Neptune is Princeton's thirstiest brush ever, delivering oceans of color to the sheet. Princeton is proud to offer Neptune in a beautiful range of shapes that includes hand-tied Mottlers and Quills.

Princeton Redline Brushes are perfect for big tasks. Multiple synthetic filaments and hair lengths hold more paint and provide control and consistency on large surfaces. European lacquer-coated beechwood handles. Four shapes.

Raphaël Kaërell Brushes have soft, synthetic fibers that offer fineness and flexibility. Use them with fluid paints, washes, and varnishes.

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Raphaël Sepia Flat Brushes are made from stiff, synthetic interlocking fibers that are elastic and precise. They are perfect for use with acrylic paints and also a good choice for applying gesso.

The very soft, flexible synthetic fibers in Raphaël Softacryl Flat Brushes are very responsive when used for laying down smooth, flat color. They can be used with fluid acrylics, gouache, and varnishes.

Developed for artists who employ impasto techniques and create relief effects with thick acrylics and structure gels, the Textura Flat Brush offers springiness and strength. They're made from short, strong, rigid synthetic fibers that respond well to thick paints and mediums.