84 products
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84 products
Item #: 10445
In stock online
Rising Barrier Paper is suitable for a variety of applications. This paper is actually a single-ply version of Rising Museum Board. A popular paper be...
+ 3 Options
+ 3 Options
Item #: 11333
Primarly composed of gampi fiber (90%, combined with 10% high alpha cellulose content), Kitakata has a subtle gloss yet a surprisingly soft surface. W...
+ 4 Options
+ 4 Options
Item #: 10419
Rives Heavyweight Printmaking Paper is the ideal choice for all traditional printmaking techniques, including intaglio, lithography, relief printing, ...
Item #: 55811
In stock online
An alternative to acetate, Grafix Dura-Lar Wet Media Film Sheets give you an archival-quality surface for creating with paints, markers, ink, and othe...
+ 4 Options
+ 4 Options
Item #: 10454
Available in two colors, Bright White and Warm White, Hahnemühle Copperplate Paper is ideal for a variety of techniques, including drawing, embos...
+ 2 Options
+ 2 Options
Item #: 10451
Rosaspina is a hidden jewel among printmaking papers! It performs as well as 100% rag papers and is excellent for all printmaking techniques. It makes...
+ 2 Options
+ 2 Options
Item #: 85760
Liven up your living space or take on a new DIY project with the Cricut Smart Stencil Film. No longer limited by the size of the cutting mat, with Sma...
+ 8 Options
+ 8 Options
Item #: 55501
Grafix Clear Acetate Pads contain 25 sheets of high-quality film overlay with a glossy finish on both sides, providing incredible clarity and flatness...
+ 2 Options
+ 2 Options
Item #: 12952
Strong and absorbent, acid-free papers are made in the centuries-old Japanese tradition from the fibers of the mulberry tree. Because they do not shri...
+ 14 Options
+ 14 Options
Item #: 55501
Cellulose acetate, glossy on both sides. Use for protecting artwork, making overhead transparencies and overlays. Available in sheets, pads, and rol...
Item #: 10415
In stock online
Hosho is a traditional, high-quality kozo paper, strong and absorbent. It does not shrink or tear easily, making it a good paper for woodblock or lino...
Item #: 10417
In stock online
Arches Platine is a 100% cotton, acid-free paper made with no optical brighteners. Created in conjunction with fine art photographers and specially si...
+ 4 Options
+ 4 Options
Item #: 55525
This pressure-sensitive Dura-Lar product is an .005", medium weight, clear film with a permanent adhesive backing. It's ideal for use in laminating or...
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+ 4 Options
Item #: 13825
Strathmore Printmaking Pads are a high-quality, heavyweight natural white paper ideally suited for printmaking processes such as lithography, intaglio...
Item #: 10574
In stock online
With its wide laid surface and deckle edges, Fabriano Roma Paper lends elegance and timeless appeal to fine printmaking, calligraphy, and drawing proj...
+ 6 Options
+ 6 Options
Item #: 55506
For all of its usefulness, acetate does cause a few headaches - ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alt...
Item #: 10463
In stock online
Exceptionally strong and versatile, Fabriano Tiepolo Printmaking Paper withstands the wear and tear of rigorous techniques. Featuring a traditional It...
+ 3 Options
+ 3 Options
Item #: 10419
Rives Lightweight Printmaking Paper is the perfect choice for all printmaking techniques, including lithography, intaglio, screenprinting, relief prin...
Item #: 23204
In stock online
Grafix Clear Film acts as a protective covering or overlay for your important artwork and documents. It is easy to cut, but won't crack, yellow, or cu...
+ 4 Options
+ 4 Options
Item #: 10449
Convenient, pre-cut kozo (mulberry) sheets are ideal for artists creating smaller work. Papers are thin yet very strong making them ideal for lino blo...
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+ 4 Options
Item #: 10482
Evolon AP is the next generation of non-woven microfiber paper that absolutely loves ink! Made from pure polyester and nylon (with no additives), Evol...
Item #: 10424
In stock online
Mouldmade in France, this clear, white paper is recommended for screenprinting and, if slightly moistened, for intaglio. Arches 88 is a heavyweight (1...
Item #: 11333
In stock online
Made from 30% kozo and 70% alpha cellulose, this paper has a relatively deep natural color and smooth surface. Its texture is classically Japanese, wi...
Item #: 10536
Out of Stock, Expected 05/20
Fused with drying oils to resist bleedthrough and provide sharp, clean edges that resist fuzzing even after repeated use, these durable oil boards are...
Item #: 11324
In stock online
Traditional Japanese fibers such as kozo and gampi are combined to create a paper that adds subtle refinements to finished work. Its relative thicknes...
Item #: 85761
In stock online
Personalize your space and your décor by adding patterns and designs to your walls, furniture, and more with Cricut Stencil Film. This translucent fil...
+ 12 Options
+ 12 Options
Item #: 5506
Grafix Dura-Lar Clear Film Sheets offer archival-quality durability with heat resistance, a flat-laying design, and long-term dimensional stability. I...
+ 12 Options
+ 12 Options
Item #: 55521
Grafix Drafting Film is a polyester base film with a matte translucent drawing surface on one side or two. The film is anti-static and accepts ink or ...
Item #: 10404
Out of Stock, Expected 05/15
Unryu, which literally means "Cloud Dragon Paper," is made by adding long swirling fibers to a basic kozo pulp. Unryu paper is white and translucent. ...
Item #: 87626
In stock online
Speedball Printmaking Paper is perfect for artists and professional printmakers who create print series in larger formats. These sheets of high-qualit...

Decalcomania is a transfer technique used by some early 20th century surrealist painters to acheive spontaneous and uncontrolled art-making. This process presses black glue between two sides of a sheet of paper to create textures resembling tree branches, feathery foliage or frost patterns. Enhanced with metallic watercolor, these prints create moody, luminous landscapes.

Use sun-powered dyes and block printing to create an easy fabric Sun Deity. Carve the soft block, brush on dye, press onto muslin, and expose to the sun. The colors develop in minutes! Combine various patterns to create clothing and accents. Students can share their carvings across the class for added variety!