Professional Printmaking Paper

Mouldmade in France, this clear, white paper is recommended for screenprinting and, if slightly moistened, for intaglio. Arches 88 is a heavyweight (140 lb) 100% cotton fiber paper. It's acid-free, neutral pH, buffered, and is unsized for high absorption.

Mouldmade in France for printmaking and publishing, Arches Cover has a pronounced grain, 2 watermarks and 2 natural deckle edges. It works beautifully as a drawing surface. 100% cotton fiber, acid-free, pH neutral, internally sized and buffered.

Arches Platine is a 100% cotton, acid-free paper made with no optical brighteners. Created in conjunction with fine art photographers and specially sized for platinum printing, it is recommended for platinum and alternative photo processes. This mouldmade, 310 gsm paper features a smooth surface, b

Speedball Arnhem 1618 is a 100% rag, acid-free printmaking paper with a semi-smooth, vellum surface. Strong, highly absorbent fibers accept multiple layers of ink, ideal for dry or damp printing and a variety of media. Internally and externally sized. Gluebound pads.

Arnhem 1618 is a 100% rag, acid-free printmaking paper with a semi-smooth, vellum surface. Strong, highly absorbent fibers accept multiple layers of ink, ideal for dry or damp printing and a variety of media. Internally and externally sized.

This popular, fine French printmaking paper has a smooth, absorbent surface. Rives Papers, are acid free, 100% cotton, soft-sized and buffered, perfectly suited for lithography, intaglio, screenprinting, relief printing, linocut, collotype, and drawing.

"Beautiful" is not too strong a word to describe Canson Edition papers. These are luxurious 100% cotton, acid-free papers that deliver excellent performance with a variety of media.

Made from 100% cotton rag, Canson Infinity PrintMaKing Rag Digital Paper has a smooth, velvety texture and a bright white tone that is ideal for sophisticated photographs, museum-grade applications, and fine art printmaking.

Rag Photographique is a 100% cotton, museum-grade white fine art paper developed by Canson to meet the longevity requirements of the digital fine art market. It is ideal for fine art photography as well as fine art printmaking.

Evolon AP is the next generation of non-woven microfiber paper that absolutely loves ink! Made from pure polyester and nylon (with no additives), Evolon AP requires very limited dampening and absorbs water rapidly. It's tearproof and lint-free.

Exceptionally strong and versatile, Fabriano Tiepolo Printmaking Paper withstands the wear and tear of rigorous techniques. Featuring a traditional Italian soft white color, this 100% cotton, mouldmade, acid-free paper has four deckle edges and a beautiful watermark. 290 gsm.

This unique vellum finish paper works well for silkscreening, offset lithography, hand lithography, etching, embossing, watercolor, pastel, charcoal, and pencil. Machine made in the USA of 100% cotton.

This superb mouldmade paper is a top choice for intaglio, etching, lithography, and drawing. Hahnemühle papers have long been coveted by European houses of nobility, and are distinguished by the highest standards of craftsmanship.

Mouldmade in Germany, Hahnemühle Ingres Paper has an attractive toothy finish, and even-laid formation. Excellent for drawing and printing. Watermarked, 4 deckle edges, pH neutral, lightfast. Individual sheets measure 18-3/4" × 24-3/4" (48 cm × 63 cm). 27 lb

Available in two colors, Bright White and Warm White, Hahnemühle Copperplate Paper is ideal for a variety of techniques, including drawing, embossing, etching, iris printing, and lithography.

Legion Coventry Rag Paper is one of the most versatile papers and can be used for all fine art techniques. It's machine made in the USA of 100% cotton. The paper is pH neutral.

Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture, machine-made fine art paper for colored pencils, graphite, pastels, and charcoal, plus etching, silkscreening, and offset lithography. Acid-free, pH-neutral. 92 lb (250 gsm). 15-sheet pads. Made in the USA.

Rising Barrier Paper is suitable for a variety of applications. This paper is actually a single-ply version of Rising Museum Board. A popular paper because of its versatility, Rising Barrier Paper can also be used for hand lithography, letterpress, matting, offset printing, pastels, and charcoal.

Use Somerset printmaking paper for any printmaking application. It is equally superior for drawing, charcoal or pastel works. Mouldmade of 100% cotton, it has a neutral pH, is chlorine free, internal and surface sized, with 2 natural and 2 tear deckles.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.

Magnani Pescia Paper is a wonderful printmaking paper with a creamy smooth surface for stone lithography, etchings, woodcuts, or silkscreen, as well as drawing, charcoal, or pastel work. Mouldmade in Italy from 100% cotton. Chlorine-free with neutral pH.

Schut Laurier is a 100% cotton, archival-quality, 115 lb (250 gsm) paper that is suitable for all forms of intaglio, silkscreen printing, and lithography. Internally sized, it has a soft surface finish and bright white color with two deckle edges.

Strathmore Printmaking Papers were born out of a unique collaboration between Strathmore Artist Papers and the University of Wisconsin-Stevens Point. RiverPoint printmaking papers are ideal for a wide variety of printmaking techniques including relief, lithography, intaglio, screen print, and more.