Drawing and Sketching Sheets

This popular, fine French printmaking paper has a smooth, absorbent surface. Rives Papers, are acid free, 100% cotton, soft-sized and buffered, perfectly suited for lithography, intaglio, screenprinting, relief printing, linocut, collotype, and drawing.

This white paper is smooth enough for pen and ink but has enough tooth for pencil and pastel. 80 lb (82 gsm) weight. This paper is recommended for educational and group recreational use.

Our premium brand of student art papers was produced to meet the needs of the art teacher. It has a medium surface suitable for all pencil, charcoal, pastel or pen and ink drawing. Available in 50 lb (74 gsm), 60 lb (98 gsm) and 80 lb (124 gsm) weights.

This classic French paper has a "vellum" texture on the top and a flat surface on the reverse, both suitable for pastel, oil pastel, chalk, pencil, watercolor and acrylic. This heavy sheet has a high rag content, ensuring long life without deterioration.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.

"Beautiful" is not too strong a word to describe Canson Edition papers. These are luxurious 100% cotton, acid-free papers that deliver excellent performance with a variety of media.

Rosaspina is a hidden jewel among printmaking papers! It performs as well as 100% rag papers and is excellent for all printmaking techniques. It makes for an equally upscale drawing paper. This paper is mould-made with two natural deckled edges.

This unique vellum finish paper works well for silkscreening, offset lithography, hand lithography, etching, embossing, watercolor, pastel, charcoal, and pencil. Machine made in the USA of 100% cotton.

Legion Coventry Rag Paper is one of the most versatile papers and can be used for all fine art techniques. It's machine made in the USA of 100% cotton. The paper is pH neutral.

The textured finish of this fine art paper makes it ideal for silkscreen work, offset lithography, etching, embossing, pastel, charcoal and pencil drawing. It's machine-made in the USA, out of 100% cotton. Neutral pH, no deckles. 250 gsm weight.

Rising Barrier Paper is suitable for a variety of applications. This paper is actually a single-ply version of Rising Museum Board. A popular paper because of its versatility, Rising Barrier Paper can also be used for hand lithography, letterpress, matting, offset printing, pastels, and charcoal.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.

The Stillman & Birn Zeta Series Archival Mixed Media Paper Pack holds five 22" x 30" sheets of white, 180 lb (270 gsm) paper. Internally and surface sized for multiple wet media washes, with a smooth surface for exceptional line control with pen-and-ink and a full range of dry media.

For dry media and ink as well as mixed media work, Stillman & Birn Beta Series Archival Mixed Media Paper is internally and surfaced-sized for exceptional wet strength, wet media layering, lifting, and repeated erasing. Five 22" x 30" sheets of 180 lb (270 gsm), natural white, rough surface paper.

Appropriate for studies rendered with dry media and ink as well as mixed media artwork, Stillman & Birn Delta Series Archival Mixed Media Paper is both internally and surfaced-sized to provide exceptional wet strength for layering of wet media, lifting of pigment, and repeated erasing without damage. This pack contains five sheets of 180 lb (270 gsm) ivory paper with a rough surface. Ideal for multi-media renderings, the paper has a substantial tooth, as well as enhanced wet strength and tear strength.

Strathmore 400 Series Toned Sheets offer unique sketching and drawing possibilities for light and dark media such as graphite, chalk, charcoal, sketching sticks, colored pencils, and gel pens. 19" x 24" sheets. Acid-free and 100% recycled (with 30% post consumer fiber). 80 lb (118 gsm).

Strathmore's 500 Series Charcoal Paper isa 100% cotton fiber, acid-free paper that has a traditional laid pattern for precise shading with charcoal and pastels. Its raised texture is also suitable for pen, pencil, or art crayon. 64 lb (95 gsm) weight.

This professional-quality white drawing paper can withstand repeated erasures and reworking without feathering. Made from 100% cotton, Strathmore 500 Series Drawing Paper is available in two surfaces, plate and vellum. Acid-free. 106 lb (125 gsm). 23" × 29" sheets.

This French-made, medium textured paper erases well and is an ideal foundation for both broad and fine-point media. Use it with pencil, colored pencil, charcoal, pen, and ink. Individual sheets measure 19-1/2" x 25-1/2" (495 mm x 648 mm).

This heavy 90 lb (147 gsm), acid-free premium drawing paper has a creamy color and a medium tooth. It is well suited for charcoal, pastel, pencil, or pen. Individual sheets measure 18" × 24" (457 mm × 610 mm).

This heavy 123 lb (200 gsm), premium drawing paper has a fine tooth and is suitable for most dry media as well as pen and ink. White. Individual sheets measure 19-1/2" × 25-1/2" (495 mm × 648 mm).

Opalux is a translucent, 110 lb weight paper with a satin finish that's ideal for drawing and color prints. It's also great for creating translucent cards and decorations.

Heavy 150 gsm (90 lb) card stock for pencil, chalk, pastel, marker, crayon. Also cut, fold, quill, curve crease, and emboss paper sculptures, masks, models, and origami. Smooth, matte surface. Size, 20-1/2 x 30-1/2" sheets.

Heavy 150 gsm (90 lb) card stock for pencil, chalk, pastel, marker, crayon. Also cut, fold, quill, curve crease, and emboss paper sculptures, masks, models, and origami. Smooth, matte surface. Size, 20-1/2 x 30-1/2" sheets.

Strathmore 400 is one of the most versatile sheets Strathmore offers. This off-white drawing paper, with a uniform surface, is ideal for sketching and most finished work. It readily accepts pen and ink, pencil, crayon, charcoal, light washes, and markers.

Natural white, heavyweight, textured paper has a neutral ph and is double-sized to accept wet media. It also renders beautiful results with charcoal, pencil, and more. 93 lb (152 gsm). 5 yd roll.

Canson 116 Bond is an all-purpose, lightweight, slightly transparent bond with a 16-lb weight and smooth surface. Available in rolls, it's ideal for layouts in pencil, pen, and marker.

Canson Foundation Classic Cream Drawing Rolls are great for creating artworks large or small without being restricted by a particular paper size. Canson Classic Cream is an artist-quality, acid-free paper with a creamy color and a medium texture that's ideal for charcoal, pastel, pencil, or pen.

Canson Foundation Canva-Paper Rolls are great for creating artworks large or small without being restricted by a particular paper size. A pre-primed, bleedproof paper that resembles linen, it is treated with a high-performance barrier to evenly absorb oil, bonding agents, or water.

Canson Foundation Sketch Rolls are great for creating artworks large or small without being restricted by a particular paper size. A smooth-surfaced paper with just the right amount of tooth for sketch-quality work.

This classic French paper has a "vellum" texture on the top side and a flat surface on the reverse, both equally suitable for pastel, oil pastel, chalk, pencil, watercolor, and acrylic. It is a heavy, 98 lb (160 gsm) sheet, with a high rag content (66%) to ensure long life without deterioration.

Canson XL Mix Media Paper incorporates professional characteristics at a value price. It features heavy sizing, making it ideal for watercolor and acrylics, as well as dry media. Its fine tooth surface erases well and blends easily. Acid-free.

The name says it all! A versatile, revolutionary paper that won't bleed through no matter what media you use.

The name says it all! A versatile, revolutionary paper that won't bleed through no matter what media you use. Create on both sides of the page — even solvent-based markers and acrylic washes won't bleed through to the other side.

The name says it all! A versatile, revolutionary paper that won’t bleed through no matter what media you use, RendR lets you use every single page in your sketchbook. Create on both sides of the page — even solvent-based markers and acrylic washes won’t bleed through to the other side.

The textured finish of this fine art paper makes it ideal for silkscreen work, offset lithography, etching, embossing, pastel, charcoal and pencil drawing. It's machine-made in the USA, out of 100% cotton. Neutral pH. 250 gsm weight.

Strathmore 300 Series Bristol is ideal for rough drawing or finished comps with pencil, pen, and marker.

Now available in a convenient roll, this natural white paper has a traditional laid finish that is ideal for charcoal and pastel.

These pads contain a 50 lb (74 gsm) white, acid-free sketch paper with a medium surface. They're ideal for use with pencil, crayon, pen and ink, charcoal, or light wash. Pads are bound on the short side.

Now available in a convenient roll, Strathmore 400 Series Layout Bond is compatible with pencil, pen, and marker, for both rough drawings and finished compositions.

Strathmore Mixed Media paper offers true wet media performance on a dry media finish — ideal for any mixed media application, including watercolors, gouache, acrylics, graphite, pen and ink, colored pencils, markers, pastels, collage, and more.

Now available in a convenient roll, Strathmore 400 Series Premium Recycled Sketch Paper is acid-free and contains 30% post-consumer fiber.

Strathmore's popular bright white paper is now available in a convenient and economical roll. It is ideal for use with pencil, crayon, pen and ink, charcoal, or light washes. The paper is acid-free and contains 30% post-consumer fiber.

Experience unique sketching and drawing possibilities with Strathmore 400 Series Recycled Toned Sketch paper. Perfect for both light and dark media, the paper is excellent for creating white highlights and dark shadows with graphite, chalk, charcoal, colored pencils, pens, and white gel pens.

<p>Now available in a convenient roll, this cream-colored drawing paper with a smooth, non-reflective surface is ideal for line drawing and technical detail work, as well as sketching and finished work.</p>

Now available in a convenient roll, this professional-quality paper offers true wet and dry media performance.

This premium-quality, neutral-colored sanded pastel paper combines quality, consistency, and durability. The 400 and 500 grade have a moderate "bite," while the 600 and 800 grade are super fine. All accept many layers of hard or soft pastels.

This white paper is smooth enough for pen and ink but has enough tooth for pencil and pastel. 80 lb (82 gsm) weight. This paper is recommended for educational and group recreational use.

All-purpose standard drawing paper for school use. 50 lb (82 gsm) weight, 500 sheet reams.

Our premium brand of student art papers was produced to meet the needs of the art teacher. It has a medium surface suitable for all pencil, charcoal, pastel or pen and ink drawing. Available in 50 lb (74 gsm), 60 lb (98 gsm) and 80 lb (124 gsm) weights.

Canson Colorline Art Papers are versatile fine art papers for artists and crafters. Ideal for nearly any project, they come in a large palette of vivid, pulp-dyed, homogenous colors both traditional and contemporary.

This economical, acid-free paper has a fine tooth and good erasability. It is perfect for pencil, charcoal, pen, and ink. Sold by the sheet. White. 18" &times; 24" (457 mm &times; 610 mm). 70 lb (115 gsm).

Perfect for beginner-level drawing and sketching with dry media, the Pacon Art1st White Drawing Paper Pack holds 200 sheets of economical, smooth white drawing paper. Great for graphite pencils, colored pencils, wax-based and watersoluble crayons, and more. 9" x 12" sheets.

This multi-purpose, bright white sulphite sheet has excellent tooth and surface sizing, ideal for artists at all levels, from beginning to advanced.

Excellent tooth for charcoal and pencil drawing. Made of pearl gray recycled paper. Paper weight is 76 lb (118 gsm).

This pure white, 100% sulphite drawing paper works well with most dry media. It has a medium tooth.

Artists of all ages will love drawing and writing on this very black art paper — and they'll love the savings, too! Great for gel and glitter pens, metallic paints and pens, pastels, fluorescents, and chalk markers. Richeson Black Art Paper Bulk Packs come in several sizes and sheet counts. 135 lb

An economical way to buy and use paper in the classroom! Richeson Bulk Drawing Paper Packs contain multiple sheets of acid-free paper with a bright white surface, ideal for experimenting with pencils, charcoal, and pastels.

Brea Reese Waterproof Alcohol Ink Paper is a smooth, non-porous, synthetic surface that is ideal for alcohol ink techniques.

Great for use with dry and wet art media, this white sanded paper can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It can be used with water, alcohol, and odorless mineral spirits. Durable grit is bonded to 100% cotton paper. Acid-free and archival. Sheets and rolls.

Featuring Canson's finest-quality French paper at their core, these fine-tooth sanded papers are ideal for pastel, crayon, charcoal, colored pencil, silverpoint, stamping, and stenciling. It also works well with wet media such as ink, tube paints, and sprayed or airbrushed acrylics.

Ideal for all types of printing techniques, including offset, engraving, foil stamping, embossing, and letterpress, Legion Bamboo’s luxurious finish and unique surface is also great for watercolors, acrylics, and pastels, as well as for sketching and drawing with charcoal.

Use any painting and drawing media you choose on this fine quality, crisp white paper! Multimedia/Aquarelle Paper consists of 100% cotton fiber, is acid-free, and has a neutral pH. The paper is 140 lb (300 gsm) weight, and has an uneven textured surface.

This heavyweight (80 lb), acid-free, sulphite art paper has a natural white color, a medium tooth, and extra sizing to accept all types of media. Use Art1st Mixed Media Paper with pencils, colored pencils, charcoal, pen-and-ink, markers, oil pastels, and most wet media.

Choose Richeson Bulk Printmaking Paper in a variety of sheet sizes and pack sizes for big savings. The perfect surface for lino block printing, wood block printing, etching, sumi, monoprinting, bookbinding, stamping, watercolors, and mixed media. Acid-free. Internally and externally sized.

Shizen Black Watercolor Paper is a professional-grade, 100% cotton rag paper externally and internally sized with vegan sizing. This 100% recycled, 140 lb (300 gsm) paper is acid-free. Choose cut or deckle edges. For metallic, pearlescent, and iridescent watercolors, and dry media.

The Stillman & Birn Zeta Series Archival Mixed Media Paper Pack holds five 22" x 30" sheets of white, 180 lb (270 gsm) paper. Internally and surface sized for multiple wet media washes, with a smooth surface for exceptional line control with pen-and-ink and a full range of dry media.

For dry media and ink as well as mixed media work, Stillman & Birn Beta Series Archival Mixed Media Paper is internally and surfaced-sized for exceptional wet strength, wet media layering, lifting, and repeated erasing. Five 22" x 30" sheets of 180 lb (270 gsm), natural white, rough surface paper.

Appropriate for studies rendered with dry media and ink as well as mixed media artwork, Stillman & Birn Delta Series Archival Mixed Media Paper is both internally and surfaced-sized to provide exceptional wet strength for layering of wet media, lifting of pigment, and repeated erasing without damage. This pack contains five sheets of 180 lb (270 gsm) ivory paper with a rough surface. Ideal for multi-media renderings, the paper has a substantial tooth, as well as enhanced wet strength and tear strength.

This heavyweight, cream-colored paper was designed especially for the acrylic painter, but it is also appropriate for a variety of painting and drawing applications. Sheets have a toothy linen finish. 246 lb (400 gsm) weight.

These professional-quality sheets and boards from Strathmore offer true wet and dry media performance. The surface is internally sized to accept wet media yet features a durable vellum finish for traditional drawing techniques.

Convenient, pre-cut kozo (mulberry) sheets are ideal for artists creating smaller work. Papers are thin yet very strong making them ideal for lino block, woodblock, and silkscreen printing. Smooth on one side and lightly textured on the other.

This soft white, mottled sulphite paper is excellent for lino block, wood block, and screen printing. Compare the quality, weight, texture, and price with other block printing papers! Packages have 100 sheets. The sheets are 50 lb (74 gsm) weight.

This acid-free, lignin-free, wood-fiber paper has a slight texture, and is heavy and very absorbent. White. 24" &times; 38" (61 cm &times; 96.5 cm). 360 gsm.

Choose Richeson Bulk Printmaking Paper in a variety of sheet sizes and pack sizes for big savings. The perfect surface for lino block printing, wood block printing, etching, sumi, monoprinting, bookbinding, stamping, watercolors, and mixed media. Acid-free. Internally and externally sized.

Scratch-Art Subi Block Printing Paper is smooth, sturdy, 54 lb paper ideal for all kinds of printmaking using oil or water-based inks. 100-sheet packages of White or 40-sheet packages of Assorted Colors. Color assortment may vary.

For block printing and other printing and stamping applications. Machine made (85gm weight), true to characteristics of traditional oriental block paper.

Machine made in Thailand of 100% kozo, Thai Kozo Paper is an all-purpose, natural, 35 gsm paper suitable for most printmaking applications.

Strong and absorbent, acid-free papers are made in the centuries-old Japanese tradition from the fibers of the mulberry tree. Because they do not shrink or tear easily, these sheets are good for woodblock or lino printing. 71.5 gsm.

Mouldmade in France, this clear, white paper is recommended for screenprinting and, if slightly moistened, for intaglio. Arches 88 is a heavyweight (140 lb) 100% cotton fiber paper. It's acid-free, neutral pH, buffered, and is unsized for high absorption.

Mouldmade in France for printmaking and publishing, Arches Cover has a pronounced grain, one watermark, and two natural deckle edges. It works beautifully as a drawing surface. 100% cotton fiber, acid-free, pH neutral, internally sized and buffered.

Arches Platine is a 100% cotton, acid-free paper made with no optical brighteners. Created in conjunction with fine art photographers and specially sized for platinum printing, it is recommended for platinum and alternative photo processes. This mouldmade, 310 gsm paper features a smooth surface, b

Arnhem 1618 is a 100% rag, acid-free printmaking paper with a semi-smooth, vellum surface. Strong, highly absorbent fibers accept multiple layers of ink, ideal for dry or damp printing and a variety of media. Internally and externally sized.

This popular, fine French printmaking paper has a smooth, absorbent surface. Rives Papers, are acid free, 100% cotton, soft-sized and buffered, perfectly suited for lithography, intaglio, screenprinting, relief printing, linocut, collotype, and drawing.

"Beautiful" is not too strong a word to describe Canson Edition papers. These are luxurious 100% cotton, acid-free papers that deliver excellent performance with a variety of media.

Made from 100% cotton rag, Canson Infinity PrintMaKing Rag Digital Paper has a smooth, velvety texture and a bright white tone that is ideal for sophisticated photographs, museum-grade applications, and fine art printmaking.

Rag Photographique is a 100% cotton, museum-grade white fine art paper developed by Canson to meet the longevity requirements of the digital fine art market. It is ideal for fine art photography as well as fine art printmaking.

Exceptionally strong and versatile, Fabriano Tiepolo Printmaking Paper withstands the wear and tear of rigorous techniques. Featuring a traditional Italian soft white color, this 100% cotton, mouldmade, acid-free paper has four deckle edges and a beautiful watermark. 290 gsm.

This unique vellum finish paper works well for silkscreening, offset lithography, hand lithography, etching, embossing, watercolor, pastel, charcoal, and pencil. Machine made in the USA of 100% cotton.

Legion Coventry Rag Paper is one of the most versatile papers and can be used for all fine art techniques. It's machine made in the USA of 100% cotton. The paper is pH neutral.

Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture, machine-made fine art paper for colored pencils, graphite, pastels, and charcoal, plus etching, silkscreening, and offset lithography. Acid-free, pH-neutral. 92 lb (250 gsm). 15-sheet pads. Made in the USA.

Rising Barrier Paper is suitable for a variety of applications. This paper is actually a single-ply version of Rising Museum Board. A popular paper because of its versatility, Rising Barrier Paper can also be used for hand lithography, letterpress, matting, offset printing, pastels, and charcoal.

Use Somerset printmaking paper for any printmaking application. It is equally superior for drawing, charcoal or pastel works. Mouldmade of 100% cotton, it has a neutral pH, is chlorine free, internal and surface sized, with 2 natural and 2 tear deckles.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.

Magnani Pescia Paper is a wonderful printmaking paper with a creamy smooth surface for stone lithography, etchings, woodcuts, or silkscreen, as well as drawing, charcoal, or pastel work. Mouldmade in Italy from 100% cotton. Chlorine-free with neutral pH.

Strathmore Printmaking Papers were born out of a unique collaboration between Strathmore Artist Papers and the University of Wisconsin-Stevens Point. RiverPoint printmaking papers are ideal for a wide variety of printmaking techniques including relief, lithography, intaglio, screen print, and more.

Its called "Colourfix" for the obvious reason. This very permanent, lightfast coated paper withstands all manner of artistic experimentation (and even punishment). These papers are used successfully in practically all media.

An innovative combination of a heavyweight, archival board and Art Spectrum Colourfix primer make Colourfix Multi-media Painting Board a great choice for a variety of applications. Available in a rich assortment of lightfast, acid-free colors.

Ideal for artists looking for a less toothy pastel surface, Art Spectrum Colourfix Smooth Pastel Paper has a surface that is less abrasive than Colourfix Coated Pastel Paper. Can be used successfully with practically all media. Lightfast and acid-free. 230 lb (340 gsm).

Art Spectrum Colourfix Supertooth Board is the perfect board for painters who require a toothy surface without the gritty sandpaper feel. The surface holds multiple layers of soft pastel, but is also suitable for colored pencils.

Great for use with dry and wet art media, this white sanded paper can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It can be used with water, alcohol, and odorless mineral spirits. Durable grit is bonded to 100% cotton paper. Acid-free and archival. Sheets and rolls.

Colored in the pulp to ensure light resistance, Canson Ingres papers have a "laid" finish for chalk, pastel, pencil or charcoal. Ingres is a 65% rag, gelatin-sized, acid-free paper that is ideally suited for drawing and printing.

Strong and resilient, this 60% cotton French-made paper has two distinct surfaces: texture on one side (perfect for pastel and charcoal), and a smooth finish on the other (for detail work with pencil or ink).

Canson Mi-Teintes Art Board has a textured surface which provides the ultimate foundation for pastel, charcoal or conté crayon. Available in a wide array of lightfast colors.

This classic French paper has a "vellum" texture on the top and a flat surface on the reverse, both suitable for pastel, oil pastel, chalk, pencil, watercolor and acrylic. This heavy sheet has a high rag content, ensuring long life without deterioration.

Featuring Canson's finest-quality French paper at their core, these fine-tooth sanded papers are ideal for pastel, crayon, charcoal, colored pencil, silverpoint, stamping, and stenciling. It also works well with wet media such as ink, tube paints, and sprayed or airbrushed acrylics.

Pastelmat was developed to meet the specific expectations of the most demanding pastel artists. This 170 lb (360 gsm) card is also ideal for pencil and charcoal. The single, original surface is an innovation combining advantages of traditional papers.

A naturally textured surface and 45% cotton content gives these papers a classic, luxurious feel, while a range of 35 sophisticated, fashionable colors makes them the ideal choice for artists and crafters alike. Weigh 98 lbs (160 gsm).

See and feel the difference as your pastels bite into the toothy surface of this pastel, charcoal and pencil drawing paper. Available in White and 35 delicious colors. Features a grain that runs parallel to the long side. Acid-free. 40% cotton. 160 gsm.

Hahnemühle Bugra paper, mouldmade in Germany, is a 100% alpha cellulose, duo-surface paper with a laid, toothy texture on one side, and a smooth texture on the other. Although made for pastels and charcoal, it works well with other drawing mediums.

You'll love how pastels and charcoal look when stroked on a soft, velour surface. The colors adhere naturally to the surface, but the use of spray fixative is recommended. Hahnem&#252;hle applies velour generously and consistently to a smooth acid-free paper.

An ideal surface for pastel painting, Pastel Premier Sanded Pastel Paper is double-primed and coated with a proprietary aluminum oxide, then seal-coated to make the surface able to withstand almost any amount of scrubbing and reworking.