Stencil Paper and Films

Fused with drying oils to resist bleedthrough and provide sharp, clean edges that resist fuzzing even after repeated use, these durable oil boards are perfect for making your own stencils. Duro Oil Boards measure 24" x 36" and are 15 pt thick. 25-sheet packages. Made in the USA.

Edge Stencil Film is made from tear-resistant, easy-to-cut, medium-weight polyester. Available in large rolls, it withstands heavy handling, repeated use, and even wind.

Tough, non-tear Mylar stencil film lets you create or copy designs and turn them instantly into templates. Simply draw or trace your design with a pen, cut out with scissors or utility knife, and you're ready to stencil.

Cellulose acetate, glossy on both sides. Use for protecting artwork, making overhead transparencies and overlays. Available in sheets, pads, and rolls.

Cellulose acetate, glossy on both sides. Use for protecting artwork, and for making overhead transparencies and overlays.

Grafix Clear Film acts as a protective covering or overlay for your important artwork and documents. It is easy to cut, but won't crack, yellow, or curl over time. Use Grafix Clear Film to create unique projects. Acid-free.

Clear-Lay, comparable to Mylar, is a clear, archival film designed for overlays, stencils, and protective coverings. Acid-free, it contains no plasticizers and offers flatness, clarity, and dimensional stability.

Clear-Lay Film Rolls, the drafting film alternative, is a clear film designed for overlays, color separations, stencils, layouts, and protective coverings. Features optical clarity, dimensional stability, archival quality, and is acid-free.

Optical clarity and dimensional stability at an economical price! This rigid, flat PVC film is designed for overlays, stencils, and protective coverings. It is acid-free and contains no plasticizers. Pads contain 25 clear sheets, .005" thick.

Grafix Drafting Film is a polyester base film with a matte translucent drawing surface on one side or two. The film is anti-static and accepts ink or lead, erases cleanly and provides excellent dimensional stability.

Safe for overlaying artwork, layouts and covering color separations, and transparencies. Consistent in color and clarity, won't discolor. Archival quality, lays flat, dimensionally stable. Sheets, pads, and rolls.

This pressure-sensitive Dura-Lar product is an .005", medium weight, clear film with a permanent adhesive backing. It's ideal for use in laminating or as a protective covering. It is acid free, of archival quality, and available in sheets and rolls.

Acetate alternative. Matte surface on both sides accepts ink without feathering. Also for pencil and other media. Surface is erasable. Always consistent in color and clarity, won't discolor with age. Archival quality.

Dura-Lar is the acetate alternative, combining the best features of Mylar and acetate. Dura-Lar's Wet Media Film has been newly formulated and treated on both sides to accept paint, marker, pen, and airbrush without beading, crawling, or chipping.

Accepts pen and ink or pencil. One side has non-glare, frosted surface. Available in sheets and rolls.

Acid free polyester Metallized Dura-Lar film is suited for a variety of decorative applications. A very thin coating of aluminum is vacuum deposited onto the surface of the film, which produces its reflective metal sheen.

Tough, non-tear Mylar stencil film lets you create or copy designs and turn them instantly into templates. Simply draw or trace your design with a pen, cut out with scissors or utility knife, and you're ready to stencil.

For all of its usefulness, acetate does cause a few headaches - ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alternatives are expensive and sometimes just don't suit the purpose.