673 products
Displays products in a grid view
Displays products in a detail view
673 products
100+ Options
100+ Options
Item #: 01650
Incredibly flexible, Golden High Flow Acrylics have an ink-like consistency that lends itself to a wide range of techniques — painting, drawing, stain...
+ 20 Options
+ 20 Options
Item #: 00618
Liquitex Acrylic Varnishes, made from 100% acrylic polymer emulsions, form durable, permanent films when dry. They have excellent flexibility and resi...
+ 15 Options
+ 15 Options
Item #: 00618
Liquitex Fluids Acrylic Mediums can be used as an extender and fixative for Liquitex Acrylic Paints, giving increased flow without affecting paint sta...
+ 4 Options
+ 4 Options
Item #: 00456
Pressed from 100% American flax seeds, Gamblin Refined Linseed Oil is must-have medium for today’s oil painter. Pure, light, and very pale, this highl...
+ 6 Options
+ 6 Options
Item #: 00628
Mix Golden Acrylic Glazing Liquid with Golden Acrylics to make glazes for faux finishes on walls or furniture, or for glazing in fine art painting.
+ 5 Options
+ 5 Options
Item #: 00445
Winsor & Newton Liquin Original is a durable, non-yellowing medium for thinning oil and alkyd colors, and speeding drying time. Liquin Original approx...
+ 2 Options
+ 2 Options
Item #: 00456
Since 1980, Gamblin has handcrafted luscious oil colors and contemporary painting mediums that are true to historic working properties, yet safer and ...
+ 11 Options
+ 11 Options
Item #: 00628
Thinner than Golden Heavy Body Acrylic colors, the Golden Soft Acrylic Gel Mediums are moderately pourable, hold only slight peaks, and are ideal for ...
+ 23 Options
+ 23 Options
Item #: 00618
Gel mediums are ideal for extending a heavy body paint, to create impasto, relief, or sculptural effects.
+ 7 Options
+ 7 Options
Item #: 00456
Gamvar is a synthetic resin gloss varnish developed by conservators at the National Gallery. It can be used on acrylic paintings as well as oils. Gamv...
+ 3 Options
+ 3 Options
Item #: 00428
Adds translucency to oil paints, making them more brilliant. Also used as a final coat on dry paintings, metal sculpture, wood carvings, and antiques....
+ 11 Options
+ 11 Options
Item #: 00628
With a consistency similar to Golden Heavy Body Acrylics, Golden Regular Acrylic Gel Medium regulates translucency without affecting consistency, hold...
+ 13 Options
+ 13 Options
Item #: 00618
Liquitex Modeling Paste is a thick, clay-like putty formulated with an acrylic polymer base and marble dust. Use alone or combine with acrylic colors ...
+ 4 Options
+ 4 Options
Item #: 00456
Gamblin's Cold Wax Medium is a soft paste formulated to make oil colors thicker and more matte. Cold Wax Medium is made with beeswax, resin, and miner...
+ 4 Options
+ 4 Options
Item #: 00456
Gamblin Galkyd Medium is an alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time (thin layers will dry w...
+ 4 Options
+ 4 Options
Item #: 00628
Golden Retarder is an additive for slowing the drying (open) time of acrylic paints and mediums. It's useful for "wet-in-wet" techniques and for reduc...
+ 9 Options
+ 9 Options
Item #: 02124
Why should watercolor painting be limited to paper? Daniel Smith Watercolor Ground enables you to use watercolors on canvas, other fabrics, wood, plas...
+ 12 Options
+ 12 Options
Item #: 02029
Utrecht Artists' Acrylic Gel Mediums allow acrylic painters to customize the texture and finish of colors while maintaining archival stability. Profes...
+ 3 Options
+ 3 Options
Item #: 00456
Gamblin Galkyd Lite is formulated to thin oil colors and maintain strong flexible paint films, with a viscosity similar to that of a traditional damar...
+ 11 Options
+ 11 Options
Item #: 02029
Utrecht Artists’ Acrylic Fluid Mediums allow artists to modify the sheen, clarity, and transparency of acrylic colors. Professional-quality mediums ar...
+ 3 Options
+ 3 Options
Item #: 01573
M. Graham Oil Mediums offer the following excellent quality mediums. Use their specially developed, non-toxic Walnut Alkyd Medium or their classic Wal...
+ 3 Options
+ 3 Options
Item #: 00623
Modeling Paste can be used to create a textured ground for painting, for collage, for relief sculpture, etc. It dries opaque white, hard, and stiff. A...
+ 2 Options
+ 2 Options
Item #: 00456
Eco-friendly Gamblin Solvent-Free Oil Mediums are handcrafted at the company's wind-powered factory in Portland, Oregon. All have been developed to su...
+ 7 Options
+ 7 Options
Item #: 00623
For use with Blick Artists' Acrylic paints. Types: Gloss Medium, Matte Medium, Gesso Medium, Gel Medium, Acrylic Retarder, Acrylic Remover, Gesso, Mod...
+ 8 Options
+ 8 Options
Item #: 02001
Liquitex Effects Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dri...
+ 4 Options
+ 4 Options
Item #: 00628
Golden Acrylic Clear Tar Gel Mediums is designed to produce a stringy, tar-like feel. This gel is excellent for ''dripping'' over surfaces. The more i...
+ 7 Options
+ 7 Options
Item #: 00455
Bob Ross Oil Mediums are designed especially for use with Bob Ross Oil Paints, including the Soft Oil Colors. Use them in the wet-on-wet techniques de...
+ 4 Options
+ 4 Options
Item #: 00628
Golden Fiber Paste is opaque and fibrous, and creates a rough, flexible, paper-like surface on canvas and board. Use it as a ground for dry media, wat...
+ 2 Options
+ 2 Options
Item #: 01765
An affordable alternative to cold pressed linseed oil and sufficiently pure for most painting applications, Utrecht Linseed Oil is an alkali-refined l...
Item #: 00445
In stock online
Winsor & Newton Liquin Impasto Medium is a semi-gloss, quick-drying, non-yellowing impasto medium that retains crisp textures and brush strokes withou...

Make an up-close-and-personal sketchbook or journal cover by creating a "face book" out of a cast and painted high relief face. Use quick mache to cast a face mold, then add modeling paste to customize the face. Create a realistic self-portrait, or morph the face into an animal or alien being! Finish with acrylic paint.

In this lesson plan, students design and construct a 3-dimensional letter using one of their initials. The surface can be decorated with descriptive words and images that are personally meaningful and unique to the student's identity. Instead of wet, messy adhesive, this process uses paper packing tape to create papier mâché. This tape is inexpensive, easy, and tidy to use, and the finished letters are hard and durable.