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The French enameling technique known as “Champlevé” is a process in which cells are created in metal, filled with glass powders, and fired until fused. This lesson employs tooling foil and high-gloss paint to achieve a “cold” technique that simulates fused metal.

Stained glass artists of the Middle Ages developed vitreous paint that could be applied to the glass surface in much the same way as a canvas. Merging glass art and painting allowed artists to achieve beautiful, back-lit scenes. This process uses acrylic paint and medium to create translucent artwork within a ring.

Using flexible, translucent acrylic paint and soft, aluminum wire, students create abstract sculptures that can be formed and reformed. Addresses the design elements of form and shape. Displayed with a light source, they have the appearance of formed glass.

Traditionally, eggshell mosaics are made by first dying then positioning each shard individually — a time-consuming and delicate process. This project introduces a new way to crush and color eggshells, creating intricate veining and texture all at once without pre-dying or arranging each fragment. The simple glue-and-paint process and satisfying “crunch!” of breaking eggshells will delight children of all ages and skill levels.

Simple classroom tempera paint can be poured out onto a surface and manipulated by the force of gravity into unique marbelized patterns. It's random, abstract, and a whole lot of fun, so get ready to hear the “oohs" and “aahs"!

Yayoi Kusama is obsessed with dots and has been using them since her role as an avant-garde artist in 1960s counterculture. And why not? Dots are fun, dots are fast, dots are universal. They can be rounded or spherical, they can rise above a surface or remain flat. Anyone can start with a dot, diverge to a pattern, and end with a painting or assemblage. The trick is repetition — of shape, sizes, colors, and patterns.