Name: Grafix DuraLar Wet Media Film
Brand: Grafix
Rating: 4.7 (14 reviews)

Dura-Lar is the acetate alternative, combining the best features of Mylar and acetate. It is always consistent in color and overall clarity, won't discolor with age, and always lays flat.   Dura-Lar&rsquo;s Wet Media Film has been newly formulated and treated on both sides to accept paint, marker, pen, and airbrush without beading, crawling, or chipping.   Pads contain 12 medium-weight (.004&quot;), archival-quality sheets that are non-yellowing, non-tearing, and dimensionally stable.




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Grafix Wet Media Film Pad - 9'' x 12'', 12 Sheets

Not all plastic films are created equally. See just some of the many creative uses there are for Grafix plastic films. We'll explain the difference and help you pick the right film which film for your fine art work or craft project. All these and other Grafix products are available at Blick Art Materials http://www.dickblick.com/.

Grafix Plastic Films

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This  pressure-sensitive   Dura-Lar  product is an .005&quot;, medium weight, clear film with a permanent adhesive backing. 
  It's ideal for use in laminating or as a protective covering. 
  It is acid free, of archival quality, and available in sheets and rolls.

This pressure-sensitive Dura-Lar product is an .005", medium weight, clear film with a permanent adhesive backing. It's ideal for use in laminating or as a protective covering. It is acid free, of archival quality, and available in sheets and rolls.

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For all of its usefulness, acetate does cause a few headaches&nbsp;&mdash; ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alternatives are expensive and sometimes just don't suit the purpose. 
  Dura-Lar is the acetate alternative. It combines the best features of Mylar&reg; and acetate, and offers a variety of products so that you can purchase the film that suits your needs precisely. It is always consistent in color and overall clarity, and won't discolor with age. 
  Dura-Lar is archival quality, safe for overlaying artwork, and it lays flat. It will remain dimensionally stable for as long as you need. 
  Designed for layouts, color separations, protective covering, or overhead transparencies. It's available in individual sheets (larger sizes), in pads of 25 sheets (smaller sizes), and in rolls of varying lengths and widths. 
   Note  &mdash; The .015&quot; thick and .020&quot; thick sizes are provided with a protective masking on both sizes. This must be removed before using.

Safe for overlaying artwork, layouts and covering color separations, and transparencies. Consistent in color and clarity, won't discolor. Archival quality, lays flat, dimensionally stable. Sheets, pads, and rolls.

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For all of its usefulness, acetate does cause a few headaches&nbsp;&mdash; ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alternatives are expensive and sometimes just don't suit the purpose. 
  Dura-Lar is the acetate alternative. It combines the best features of Mylar&reg; and acetate, and offers a variety of products so that you can purchase the film that suits your needs precisely. It is always consistent in color and overall clarity, and won't discolor with age. Dura-Lar is archival quality, safe for overlaying artwork, and it lays flat. It will remain dimensionally stable for as long as you need.

Acetate alternative. Matte surface on both sides accepts ink without feathering. Also for pencil and other media. Surface is erasable. Always consistent in color and clarity, won't discolor with age. Archival quality.

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For all of its usefulness, acetate does cause a few headaches&nbsp;&mdash; ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alternatives are expensive and sometimes just don't suit the purpose. 
  Dura-Lar is the acetate alternative. It combines the best features of Mylar and acetate, and offers a variety of products so that you can purchase the film that suits your needs precisely. It is always consistent in color and overall clarity, and won't discolor with age. 
  Dura-Lar is archival quality, safe for overlaying artwork, and it lays flat. It will remain dimensionally stable for as long as you need. 
  This is Ultra-light acetate, designed for protecting artwork from dust and dampness, while allowing complete, unobstructed viewing.

For all of its usefulness, acetate does cause a few headaches - ink that won't stay, a yellow or grayish cast to old acetate, edges that curl. The alternatives are expensive and sometimes just don't suit the purpose.

Dura-Lar is the acetate alternative, combining the best features of Mylar and acetate. Dura-Lar's Wet Media Film has been newly formulated and treated on both sides to accept paint, marker, pen, and airbrush without beading, crawling, or chipping.

Grafix Dura-Lar Wet Media Film | BLICK Art Materials

Shop Grafix Wet Media Film Pad - 9'' x 12'', 12 Sheets at Blick. Find everything you need for your next creative project online.

Grafix Wet Media Film Pad - 9'' x 12'', 12 Sheets | BLICK Art Materials

Shop Grafix Wet Media Film Pad - 11'' x 14'', 12 Sheets at Blick. Find everything you need for your next creative project online.

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Grafix Wet Media Film Pad - 11'' x 14'', 12 Sheets | BLICK Art Materials

Shop Grafix Wet Media Film Pad - 14'' x 17'', 12 Sheets at Blick. Find everything you need for your next creative project online.

Grafix Wet Media Film Pad - 14'' x 17'', 12 Sheets | BLICK Art Materials

Shop Grafix Wet Media Film Pad - 19'' x 24'', 12 Sheets at Blick. Find everything you need for your next creative project online.

Grafix Wet Media Film Pad - 19'' x 24'', 12 Sheets | BLICK Art Materials

Shop Grafix Wet Media Film Pad - 20'' x 25'' at Blick. Find everything you need for your next creative project online.

Grafix Dura-Lar Wet Media Film

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