Sennelier Artists' Oil Stick - Prussian Blue

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Item #:01526-5221
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Sennelier Artists' Oil Stick - Prussian Blue 38 ml stick and swatch

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CL Cautionary Label

Products bearing the CL seal of the Art & Creative Materials Institute ("Caution Label") contain ingredients that are toxic or hazardous, but when used in properly supervised and controlled conditions, they can be enjoyed with complete safety.

Product Details

Description:
Oil Stick
Color:
Prussian Blue
Size:
38 ml
No.
318
Series:
2
Mfg #:
10-130125-318

Colors on Monitors -

Due to differences in users’ monitors, the colors presented are an approximation of the true color.

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Pigment Information

This color contains the following pigments:

PB27-Prussian Blue


Pigment Name

PB27-Prussian Blue

Pigment Type

inorganic

Chemical Name

ferric ferrocyanide/iron(III)-hexacyanoferrate(II)

Chemical Formula

Fe7(CN)18(H2O)x or C6FeN6H4N

Properties

Prussian Blue is a semi-transparent, deep cyan-blue with a greenish undertone and a very high tinting strength unequaled by most pigments. It is similar to Phthalo Blue unless mixed with white, when it gives up intensity and becomes smoky. It can behave erratically and less reliably in oil and watercolor form depending on its manufacture. For permanent painting Phthalo Blue is considered a more reliable choice.

Permanence

Prussian Blue is lightfast and permanent in all techniques except for fresco. When mixed with Zinc White in watercolor or tempera form, it fades upon exposure to light and completely regains its chromatic strength in the dark. Modern manufacturing techniques have made this tendency less of an issue in recent years

Toxicity

Prussian Blue is moderately toxic if ingested. It will emit toxic hydrogen cyanide gas if heated, exposed to ultraviolet radiation, or treated with acid.

History

"The first of the modern pigments," Prussian Blue is the first artificial pigment with a known history. It was discovered by accident in 1704 by the Berlin color maker Heinrich Diesbach, who was trying to create a pigment with a red hue by mixing iron sulfate and potash. The potash Diesbach purchased from a local laboratory had been contaminated by animal oil and blood during previous experimentation. The resulting mixture yielded a very pale red that changed to purple and then deep blue when he tried to concentrate it. Since previous blue pigments came from lapis lazuli, an expensive stone, Diesbach’s discovery was extremely important for artists of the time.


Safety Data Sheet

UPC Code: 3046450115472

ASIN #: B0014ZQVM6