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Schmincke Horadam Aquarell Artist Watercolor - Forest Olive, 15 ml tube

Item #:00323-7072
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Schmincke Horadam Aquarell Artist Watercolor - Forest Olive, 15 ml, Tube with Swatch
Schmincke Horadam Aquarell Artist Watercolor - Forest Olive, 15 ml, Tube with Swatch
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Product Details

Color:
Forest Olive
Description:
Horadam Aquarell Artist Watercolor
Size:
15 ml
Format:
Tube
No.
941

Pigment Information

This color contains the following pigments:

PG18-Viridian

PBr7-Raw Sienna

PY43-Yellow Ochre


Pigment Name

PG18-Viridian

Pigment Type

inorganic

Chemical Name

chromium(III)-oxide dehydrate

Chemical Formula

Cr2O3 • 2 H2O or Cr2(OH3)

Properties

Viridian is the standard green and is stable, powerful, and cold with an emerald green undertone. It has a transparent hue, good tinting strength, a dark masstone that can be almost black at full strength, and a slow drying time in oil form. Viridian is commonly replaced by the darker, more saturated, and staining Phthalo Greens, but its properties make it a necessary part of the palette of an experienced landscape painter.

Permanence

Viridian has excellent permanence, except in high-temperature work, and is highly valued as a glazing color.

Toxicity

Viridian is slightly toxic.

History

Viridian’s name comes from the Latin viridis, meaning green. The process for manufacturing Viridian, or Transparent Oxide of Chromium, was patented by Guignet in Paris in 1859. However, it had actually been discovered by Pannetier and Binet in 1838. Viridian replaced Verdigris, which was reactive and unstable, and Emerald Green, which was a poisonous copper aceto-arsenite used as a rat poison in the sewers of Paris.


Pigment Name

PBr7-Raw Sienna

Pigment Type

earth

Chemical Name

hydrated iron oxide

Chemical Formula

α-FeO3+(OH) or Fe2O3

Properties

Raw Sienna is a moderately dull deep earth yellow with medium tinting strength and excellent transparency. It is one of the basic permanent artists' pigments and is made from a form of limonite clay whose yellow-brown color results from ferric oxides. Raw Sienna is preferable to Yellow Ochre for creating flesh tones, due to its higher subtlety of color when mixed with white. It creates a bright Ochre when mixed with Cadmium Yellow and creates greens and grays when mixed with Ultramarine. Raw Sienna dries quickly.

Permanence

Raw Sienna has good permanence.

Toxicity

Raw Sienna has no significant hazards.

History

Raw Sienna has been used as a pigment since prehistoric times, although its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.


Pigment Name

PY43-Yellow Ochre

Pigment Type

earth

Chemical Name

iron(III)-oxide, hydrated

Chemical Formula

Fe2O3 • H2O

Properties

Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.

Permanence

Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.

Toxicity

Yellow Ochre is non-toxic unless it contains manganese.

History

Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.


Safety Data Sheet

UPC Code: 4012380227560