Pastel Paper and Boards

Colored in the pulp to ensure light resistance, Canson Ingres papers have a "laid" finish for chalk, pastel, pencil or charcoal. Ingres is a 65% rag, gelatin-sized, acid-free paper that is ideally suited for drawing and printing.

This classic French paper has a "vellum" texture on the top and a flat surface on the reverse, both suitable for pastel, oil pastel, chalk, pencil, watercolor and acrylic. This heavy sheet has a high rag content, ensuring long life without deterioration.

See and feel the difference as your pastels bite into the toothy surface of this pastel, charcoal and pencil drawing paper. Available in White and 35 delicious colors. Features a grain that runs parallel to the long side. Acid-free. 40% cotton. 160 gsm.

Strathmore's 500 Series Charcoal Paper isa 100% cotton fiber, acid-free paper that has a traditional laid pattern for precise shading with charcoal and pastels. Its raised texture is also suitable for pen, pencil, or art crayon. 64 lb (95 gsm) weight.

This premium-quality, neutral-colored sanded pastel paper combines quality, consistency, and durability. The 400 and 500 grade have a moderate "bite," while the 600 and 800 grade are super fine. All accept many layers of hard or soft pastels.

This uniquely textured paper has a pebble-like surface that’s ideal for shading and blending. Use Stipple Paper with dry media such as soft pencil, crayons, charcoal, and pastels. 132 lb (216 gsm).

Bindewerk Chalk Sketchbooks contain 32 sheets of deep black, high-quality 90 gsm drawing paper with just the right amount of tooth for chalk, pastels, and colored pencils. Each sketchbook features a sturdy spine sewn with contrasting white thread.

For pastel, oil pastel, chalk, pencil, watercolor or acrylic work. Vellum texture on one side and flat surface on reverse. 98 lb (160 gsm) sheet, 66% rag content, colorfast. Pads have 4 sheets each of 6 colors.

The 16-sheet spiral bound white pads have ultra-smooth glassine slipsheets between each page to protect drawings and prevent smudging. The 24 sheet black paper pads feature a fold-over cover with no slipsheets between pages.

The Canson XL Black Drawing Pad contains Canson's world-famous Colorline paper for high-contrast artwork that lasts. Fade-resistant dye and high-grade pigments guarantee longevity for finished artwork. This wirebound pad holds 40 micro-perforated sheets.

Pastelmat was developed to meet the specific expectations of the most demanding pastel artists. This 170 lb (360 gsm) card is also ideal for pencil and charcoal. Available in 12-sheet pads. Choose from two color assortments.

Fabriano Black Black and White White Pads hold 20 sheets of deep black or bright white paper. Ideal for pastels, colored pencils, markers, and papercrafts, this 300 gsm paper also accepts light water media. Paper is acid-free, made from chlorine-free cellulose pulp. Made in Italy.

Add depth and dimension to your drawings with toned drawing paper. Fabriano Toned Paper Pads hold 50 sheets of 85 lb (120 gsm) toned paper that offers artists a distinctive gray or brown background for their graphite, chalk, colored pencil, and pen drawings. 15% cotton content.

Mouldmade in Germany, Hahnemühle Ingres has an attractive toothy finish and an even-laid formation. It is excellent for drawing, especially with pastels. Each tape-bound pad contains sheets of 27 lb (100 gsm) paper in an assortment of 9 colors.

Hahnemühle applies velour generously and consistently to a smooth acid-free paper. Colors adhere naturally to the velvety surface, but the use of spray fixative is recommended.

Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture, machine-made fine art paper for colored pencils, graphite, pastels, and charcoal, plus etching, silkscreening, and offset lithography. Acid-free, pH-neutral. 92 lb (250 gsm). 15-sheet pads. Made in the USA.

Stonehenge is an affordable paper that offers archival qualities at a machine-made price. Made in the USA from buffered, acid-free 100% cotton, this versatile paper has a smooth, flawless vellum surface with a slight tooth and a fine, even grain.

This 100% cotton, acid-free, machine-made paper is excellent for drawing and printmaking. Stonehenge Light Paper accepts layers of wax-based/oil-based colored pencil without buildup. Good for graphite, charcoal, pastels, and watercolors. 50 lb (135 gsm). 30-sheet pads.

The same great art paper that has become the standard for quality, consistency, and performance for fine art applications, Stonehenge paper is now available in a more permanent format - wire-o spiral pads.

The best surface for your Rembrandt pastels, Rembrandt Soft Pastel Paper Pads contain five sheets in six different colors, 30 sheets in all. Each acid-free, 75 lb (160 gsm) sheet has a high cotton content and features a subtle tooth for grabbing pastel particles. Convenient gluebound pads.

Rembrandt Toned Mixed Media Paper Pads are exceptional for figure drawing but can be used for a wide number of mixed media works, even some where wet media is lightly applied. The pads contain 50 sheets of 15% cotton 120 lb (180 gsm) paper gluebound on one side.

This versatile paper is milled from the finest raw materials, yielding a medium (vellum) texture on one side, and an almost smooth (plate) finish on the reverse. Each pad offers multiple sheets of artist-quality, 112 lb (180 gsm) paper with rigid, stable surfaces for soft pastels, oil pastels, chal

Rarely are card stock pastel supports available to the artist in a pad. he La Carte pad offers twelve sheets of heavyweight, professional quality paper board with a toothy surface that grabs and holds even the softest pastels.

Sennelier's Oil Pastel Card was developed especially for the exceptional qualities of oil pastels. Oil will not seep, bleed through, or halo on this paper.

Sennelier's Pastel Spiral Pad contains five assorted colors - Light Cream, Dark Cream, Felt Blue, Light Gray, and Medium Gray. The paper is an acid-free, 45 lb Ingres paper with fiber inclusions. Intended for hard or soft pastels, charcoal, and pencil.

Ideal for both drawing and printmaking, the paper in these pads has a traditional Earth tone color and a vellum finish. Ideal for both students and professional artists, it works well with colored pencils, graphite, charcoal, pastels, and watercolors.

With a surface that mimics a chalkboard, this heavyweight (18 pt) black paper can be wiped with a damp cloth and reused. Best used with chalk, chalk markers, pastels, and opaque pens, the Strathmore 100 Series Black Chalk Paper Pad holds 15, 9" × 12" sheets.

Create bold effects on black paper with metallic inks and watercolors, gel pens, pastels, colored pencils, and more. Strathmore 400 Series Black Mixed Media Paper Pads combine the characteristics of watercolor paper with the finish of a drawing sheet. 15-sheet pads. 184 lb (300 gsm).

Ideal for value studies, this heavyweight pad contains three sheets each of white, black, and three shades of gray, a total of 15 sheets in all. Each 15-sheet pad is tape-bound on the short side.

The textured finish and subtle colors make this paper an ideal background for hard, soft, and oil pastels, as well as a wide variety of drawing media. Pads contain 24 sheets. The paper is 80 lb (118 gsm) and acid-free.

Strathmore's 500 Series Charcoal Paper is a 100% cotton fiber, acid-free paper that has a traditional laid pattern for precise shading with charcoal and pastels. Its raised texture is also suitable for pen, pencil, or art crayon. 64 lb (95 gsm) weight.

Strathmore Artagain sheets are a sturdy, fiber-enhanced paper, made with recycled, post consumer material. They are ideally suited for soft pastels and charcoal. Artagain paper is acid-free, medium weight, and lightly textured

Strathmore Artagain Pads have fiber-enhanced paper, made with recycled materials. They are ideally suited for soft pastels and charcoal. Use gel roller pens for dramatic effects. Artagain paper is acid-free, medium weight, and lightly textured.

UArt Premium Sanded Pastel Paper Pads hold 10 acid-free, pH-neutral sheets of paper, separated by acid-free glassine sheets that protect work from damage. Available in different grades, all accept many layers of hard or soft pastels, yet also work well with other media. 9" x 12".

Winsor & Newton Pastel Paper Pads contain high-quality, cold press sheets with a fine grain texture and high cotton content. Ideal for sketching and drawing with oil pastels, chalk pastels, charcoal, graphite, these 75 lb (160 gsm) sheets are fade-resistant, archival-quality, and free from acids and optical brighteners. Pads are tape bound.

Its called "Colourfix" for the obvious reason. This very permanent, lightfast coated paper withstands all manner of artistic experimentation (and even punishment). These papers are used successfully in practically all media.

Ideal for artists looking for a less toothy pastel surface, Art Spectrum Colourfix Smooth Pastel Paper has a surface that is less abrasive than Colourfix Coated Pastel Paper. Can be used successfully with practically all media. Lightfast and acid-free. 230 lb (340 gsm).

Bee Paper Stipple Texture Paper features a uniquely textured, pebble-like surface excellent for shading and blending. Perfect for detailed cartooning, sketching and drawing, this paper’s porous surface texture mimics the texture of skin, making it ideal for designing and practicing tattoos.

Great for use with both dry and wet art media, Brush and Pencil LuxArchival Professional Sanded Art Paper Roll is a white sanded paper that can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It won't buckle under liquids and can be used with water, alcohol, and odorless mineral spirits.

Great for use with dry and wet art media, this white sanded paper can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It can be used with water, alcohol, and odorless mineral spirits. Durable grit is bonded to 100% cotton paper. Acid-free and archival. Sheets and rolls.

Colored in the pulp to ensure light resistance, Canson Ingres papers have a "laid" finish for chalk, pastel, pencil or charcoal. Ingres is a 65% rag, gelatin-sized, acid-free paper that is ideally suited for drawing and printing.

Strong and resilient, this 60% cotton French-made paper has two distinct surfaces: texture on one side (perfect for pastel and charcoal), and a smooth finish on the other (for detail work with pencil or ink).

Canson Mi-Teintes Art Board has a textured surface which provides the ultimate foundation for pastel, charcoal or conté crayon. Available in a wide array of lightfast colors.

This classic French paper has a "vellum" texture on the top and a flat surface on the reverse, both suitable for pastel, oil pastel, chalk, pencil, watercolor and acrylic. This heavy sheet has a high rag content, ensuring long life without deterioration.

Featuring Canson's finest-quality French paper at their core, these fine-tooth sanded papers are ideal for pastel, crayon, charcoal, colored pencil, silverpoint, stamping, and stenciling. It also works well with wet media such as ink, tube paints, and sprayed or airbrushed acrylics.

Pastelmat was developed to meet the specific expectations of the most demanding pastel artists. This 170 lb (360 gsm) card is also ideal for pencil and charcoal. The single, original surface is an innovation combining advantages of traditional papers.

A naturally textured surface and 45% cotton content gives these papers a classic, luxurious feel, while a range of 35 sophisticated, fashionable colors makes them the ideal choice for artists and crafters alike. Weigh 98 lbs (160 gsm).

See and feel the difference as your pastels bite into the toothy surface of this pastel, charcoal and pencil drawing paper. Available in White and 35 delicious colors. Features a grain that runs parallel to the long side. Acid-free. 40% cotton. 160 gsm.

Hahnemühle Bugra paper, mouldmade in Germany, is a 100% alpha cellulose, duo-surface paper with a laid, toothy texture on one side, and a smooth texture on the other. Although made for pastels and charcoal, it works well with other drawing mediums.

You'll love how pastels and charcoal look when stroked on a soft, velour surface. The colors adhere naturally to the surface, but the use of spray fixative is recommended. Hahnemühle applies velour generously and consistently to a smooth acid-free paper.

An ideal surface for pastel painting, Pastel Premier Sanded Pastel Paper is double-primed and coated with a proprietary aluminum oxide, then seal-coated to make the surface able to withstand almost any amount of scrubbing and reworking.

The textured finish of this fine art paper makes it ideal for silkscreen work, offset lithography, etching, embossing, pastel, charcoal and pencil drawing. It's machine-made in the USA, out of 100% cotton. Neutral pH, no deckles. 250 gsm weight.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.

Sennelier applies finely ground, pH neutral vegetable flakes by hand to a 200 lb, pH neutral board stock, creating a paper that is slightly abrasive, with a perfectly smooth and uniform tooth. Pigment adhesion is enhanced, so less fixative is required.