Sennelier Artists' Extra Fine Oil Paint - Carmine, 40 ml tube

Pigment Information

This color contains the following pigments:

PBk11-Mars Black

PR202-Quinacridone Magenta

PY42-Mars Orange

PR101-Red Iron Oxide

Pigment Name

PBk11-Mars Black

Pigment Type

earth

Chemical Name

iron oxides

Chemical Formula

FeO or Fe2O3

Properties

Mars Black is an opaque black with a strong and cool masstone, a slightly warm tint, and a warm brown undertone. It is not as black as Ivory Black, but it dries more quickly and has three times the tinting strength. Mars Black is normally the only black available in acrylic form and that is safe to over paint. It can be used in all media without reservation and is widely used as an alternative to Lamp Black and Ivory Black.

Permanence

Mars Black is very lightfast with excellent permanence.

Toxicity

Mars Black has no significant hazards and is the only major black pigment considered non-toxic.

History

The word Mars refers to the Roman god of iron and war. Mars Black was developed in the early 20th century from inorganic, synthetic iron oxide.

Pigment Name

PR202-Quinacridone Magenta

Pigment Type

organic, dichloroquinacridone

Properties

PR202 has a bluish red color, but is more yellow than Quinacridone Red (PR122), which is the modern favorite for Magenta in CMYK (four color) process printing.

Permanence

Although it is not the most famous magenta in the quinacridone family of pigments, PR202 belongs to a related class chemically, and is thus relatively stable and permanent for a bluish red pigment. It is one of the pigments often used in inks and toners for process printing.

Toxicity

Quinacridone Magenta has no acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.

History

PR202 has been widely used as an automotive paint. Other applications include packaging, printing inks, and textiles.

Pigment Name

PY42-Mars Orange

Pigment Type

inorganic, earth

Chemical Name

iron oxide

Chemical Formula

Fe2O2 or Fe2O3 • H2O

Properties

Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.

Permanence

Mars Orange has excellent permanence and lightfastness.

Toxicity

Mars Orange has no significant hazards.

History

The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.

Pigment Name

PR101-Red Iron Oxide

Pigment Type

earth, synthetic

Chemical Name

iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide

Chemical Formula

Fe2O2 or Fe2O3 x H2O

Properties

Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.

Permanence

Red iron oxide is very lightfast with excellent permanence.

Toxicity

Red iron oxide has no significant hazards.

History

Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.