Due to differences in users’ monitors, the colors presented are an approximation of the true color.
Shipping Note - Due to manufacturer distribution restrictions, Liquitex products cannot be shipped to addresses outside of North America.
PO73-Transparent Pyrrole Orange
PY139-Isoindolinone Yellow
PB29-Ultramarine [Blue]
PO73-Transparent Pyrrole Orange
organic, aminoketone
dipyrrolopyrrol
Transparent Pyrrole Orange is a yellow-shade orange with optimum performance; high saturation and excellent durability, excellent bleed resistance, and intrinsic strength coupled with good opacity and moderate rheology. It is semi-opaque, less opaque than Cadmium Orange.
Transparent Pyrrole Orange has been demonstrated to have excellent stability and lightfastness in automotive applications.
The Australian government's Department of Health and Aging, reported in its Summary Report: NA/238 that "Irgazin DPP Orange 16AOA is likely to be of low oral and dermal toxicity in humans and to be non irritating or very slightly irritating to the ey
Irgazin Orange was developed as a lead-free alternative opaque orange pigment. It is used in decorative, industrial, and automotive applications, often to color plastics and polymers.
PY139-Isoindolinone Yellow
organic, azomethine
C16H19N5O6
Isoindolinone Yellow is a new-generation organic pigment that has a very high tinting strength and average drying time.
Isoindolinone Yellow has excellent lightfastness.
Isoindolinone Yellow is not considered toxic.
The first isoindolinone pigments were patented in 1946, and commercial production of pigments in this group began in the 1960s. Several isoindolinone yellow pigments are available.
PB29-Ultramarine [Blue]
inorganic
complex silicate of sodium and aluminum with sulfur
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Ultramarine has no significant hazards.
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
UPC Code: 887452056096