Kuretake Gansai Tambi Watercolor Pan - Graphite Violet

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Item #:01664-6790
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Kuretake Gansai Tambi Watercolor Pan - Graphite Violet pan and swatch

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Product Details

No.
261
Description:
Watercolor Pan
Color:
Graphite Violet
Pan Size:
Full Pan

Reviews

Pigment Information

This color contains the following pigments:

PBk10-Blacklead

PB29-Ultramarine [Blue]


Pigment Name

PBk10-Blacklead

Pigment Type

inorganic

Chemical Name

graphite

Chemical Formula

C

Properties

Grayish black with metallic luster.

Permanence

Graphite is lightfast.

Toxicity

Graphite is not toxic.

History

Graphite is a crystaline form of pure carbon that occurs naturally, and has been used to create pencils. It contains no lead. The most famous deposit is near Borrowdale, in England.


Pigment Name

PB29-Ultramarine [Blue]

Pigment Type

inorganic

Chemical Name

complex silicate of sodium and aluminum with sulfur

Chemical Formula

Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4

Properties

Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.

Permanence

Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.

Toxicity

Ultramarine has no significant hazards.

History

The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.


Safety Data Sheet

UPC Code: 847340040880