Kuretake Gansai Tambi Watercolor Pan - Blue Gray Deep

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Item #:01664-2550
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Kuretake Gansai Tambi Watercolor Pan - Blue Gray Deep pan and swatch

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Product Details

No.
68
Description:
Watercolor Pan
Color:
Blue Gray Deep
Pan Size:
Full Pan

Reviews

Pigment Information

This color contains the following pigments:

PR48:3-Permanent Red

PB27-Prussian Blue

PBk7-Lamp Black


Pigment Name

PR48:3-Permanent Red

Pigment Type

organic, monoazo

Chemical Name

beta-oxynaphthoic acid lake, strontium salt

Properties

Permanent Red is a common name used for the strontium salt of beta-oxynaphthoic acid (BONA) lake pigment PR:48. It is substantially bluer than other shades of PR:48. BONA pigment lakes tend to have high tinting strength, however the tinting strength of PR48:3 is only average.

Permanence

Beta-oxynaphthoic acid (BONA) lake pigments are more lightfast than their beta-naphthol counterparts. Although their lightfastness makes them the pigment of choice in many applications, they may shift slightly in color or lose intensity under some conditions. Pigment PR48:3 has been reported to be the most lightfast of the BONA lake pigments.

History

Pigment Red PR48:3 is a lake pigment of beta-oxynaphtholic acid, a dye that resembles the common beta-Naphthol pigments. Beta-oxynaphthoic acid may have been synthesized as early as 1887. Commerical use of BONA lake pigments began in the 20th century. PR48:3 is used in printing, plastics, architectural paints, and industrial finishes.


Pigment Name

PB27-Prussian Blue

Pigment Type

inorganic

Chemical Name

ferric ferrocyanide/iron(III)-hexacyanoferrate(II)

Chemical Formula

Fe7(CN)18(H2O)x or C6FeN6H4N

Properties

Prussian Blue is a semi-transparent, deep cyan-blue with a greenish undertone and a very high tinting strength unequaled by most pigments. It is similar to Phthalo Blue unless mixed with white, when it gives up intensity and becomes smoky. It can behave erratically and less reliably in oil and watercolor form depending on its manufacture. For permanent painting Phthalo Blue is considered a more reliable choice.

Permanence

Prussian Blue is lightfast and permanent in all techniques except for fresco. When mixed with Zinc White in watercolor or tempera form, it fades upon exposure to light and completely regains its chromatic strength in the dark. Modern manufacturing techniques have made this tendency less of an issue in recent years

Toxicity

Prussian Blue is moderately toxic if ingested. It will emit toxic hydrogen cyanide gas if heated, exposed to ultraviolet radiation, or treated with acid.

History

"The first of the modern pigments," Prussian Blue is the first artificial pigment with a known history. It was discovered by accident in 1704 by the Berlin color maker Heinrich Diesbach, who was trying to create a pigment with a red hue by mixing iron sulfate and potash. The potash Diesbach purchased from a local laboratory had been contaminated by animal oil and blood during previous experimentation. The resulting mixture yielded a very pale red that changed to purple and then deep blue when he tried to concentrate it. Since previous blue pigments came from lapis lazuli, an expensive stone, Diesbach’s discovery was extremely important for artists of the time.


Pigment Name

PBk7-Lamp Black

Pigment Type

inorganic

Chemical Name

carbon

Chemical Formula

C

Properties

Lamp black is a very opaque, heavily staining black pigment that does not have much covering or tinting power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures. Natural sources may be brownish or bluish in tone because of impurities. When used in oil paints, it is one of the slowest drying pigments, and should not be used in underpainting or applied in layers underneath other colors.

Permanence

Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.

Toxicity

<p>Carbon itself is not considered hazardous, however other combustion products that are hazardous are often present as impurities when Lamp Black is produced from natural materials. For this reason, commercial preparations of the pigment should be considered slightly toxic. Avoid skin contact and inhalation. Where such impurities are present, Lamp Black is a possible human carcinogen.</p>

History

Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It has been used as a pigment since prehistoric times. It is the black found in Egyptian murals and tomb decorations and was the most popular black for fresco painting until the development of Mars Black.


Safety Data Sheet

UPC Code: 4901427306576