NEW!ShinHan Professional Designers Gouache - Blue Violet, 15 ml

Item #:00920-6605
View Product Details
ShinHan Professional Designers Gouache - Blue Violet, 15 ml tube and swatch

Save For Later

  • My Wish Lists

  • My BlickU List(s)

  • My Quick Quotes

Product Details

No.
109
Description:
Professional Designers Gouache
Color:
Blue Violet
Tube Size:
15 ml (0.51 oz)
Series:
B
Lightfastness:
3 = Fair

Reviews

Pigment Information

This color contains the following pigments:

PV3-Methyl Violet 2B

PB29-Ultramarine [Blue]


Pigment Name

PV3-Methyl Violet 2B

Pigment Type

organic, triarylcarbonium

Chemical Name

tetramethyl violet

Chemical Formula

C24H28N3Cl

Properties

Methyl Violet 2B is a staining, transparent violet dye. It turns yellow when exposed to strong acids.

Permanence

Methyl Violet 2B will fade with exposure to ultraviolet light.

Toxicity

Methyl Violet 2B is harmful to living cells and organisms, so it is diluted in medical and biological applications as a topical fungicide or disinfectant. Methyl Violet 2B may cause irritation to the skin, eyes, respiratory tract, or gastrointestinal trac

History

Methyl Violet dyes are used in medical, biological, and pharmaceutical applications. Common Methyl Violets include Methyl Violet 2B, Methyl Violet 6B, and Methyl Violet 10B. They are often used as biological stains for cytology. The common name Gentian Violet is sometimes applied to this class of dyes. In very dilute form, Gentian Violet is often used as an antifungal agent, including in applications where there is contact with skin and other tissue. Paper impregnanted with Methyl Violet 2B is used to test pH because it turns yellow at pH 0.


Pigment Name

PB29-Ultramarine [Blue]

Pigment Type

inorganic

Chemical Name

complex silicate of sodium and aluminum with sulfur

Chemical Formula

Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4

Properties

Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.

Permanence

Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.

Toxicity

Ultramarine has no significant hazards.

History

The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.


Safety Data Sheet

UPC Code: 8803332963096