Due to differences in users’ monitors, the colors presented are an approximation of the true color.
PO5-Dinitraniline Orange
PW6-Titanium White
PBr7-Burnt Sienna
PR9-Naphthol Red
PO5-Dinitraniline Orange
monoazo
C16H10N4O5
Dinitraniline Orange is a clean, bright, reddish orange. It is generally low cost and has an average drying time.
Dinitraniline Orange has full to medium tone lightfastness.
Dinitraniline Orange is not considered toxic.
Unknown.
PW6-Titanium White
inorganic
titanium dioxide
TiO2
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Titanium White has excellent permanence and lightfastness.
Titanium dioxide is highly stable and is regarded as non-toxic.
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
PBr7-Burnt Sienna
earth
iron oxides
Fe2O3
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Burnt Sienna has no significant hazards.
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
PR9-Naphthol Red
monoazo
C24H17Cl2N3O3
This Naphthol Red is a bright deep red with bluish undertones. It has an average drying time.
This Naphthol Red has fair to good lightfastness, not because of its masstone, but because it fades in tints. Not suitable for exterior use.
Naphthol Reds are not considered toxic. They may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
Unknown.
UPC Code: 741389044604