Note on select colors - Raw Umber, Raw Sienna, Burnt Sienna, Indian Yellow, Permanent Tuscan Earth, Olive Green, and Sap Green were originally formulated with mineral spirits, which may result in a slightly stronger scent. This does not affect the quality, performance, or permanence of the paint.
The formula has since been updated to remove mineral spirits. Due to mixed stock, you may receive either version. If you prefer a consistently low-odor option, consider Utrecht Artists' Oil Paint . For product questions, email our Product Information team Info@dickblick.com or call 1-800-933-2542. For existing orders, email orders@dickblick.com or call 1-800-828-4548.
Due to differences in users’ monitors, the colors presented are an approximation of the true color.
PB29-Ultramarine [Blue]
PB29-Ultramarine [Blue]
inorganic
complex silicate of sodium and aluminum with sulfur
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
UPC Code: 741389063957