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Each hand-rolled stick contains a unique combination of traditional and synthetic pigments, combined to bring out their inherent beauty. Colors lay down with minimal resistance allowing several layers to accrue without becoming too thick.
Color Swatches created using heavy to light application and were applied on 100 lb (163 gsm) drawing paper material.
hydrated iron oxide
α-FeO3+(OH) or Fe2O3
Raw Sienna is a moderately dull deep earth yellow with medium tinting strength and excellent transparency. It is one of the basic permanent artists' pigments and is made from a form of limonite clay whose yellow-brown color results from ferric oxides. Raw Sienna is preferable to Yellow Ochre for creating flesh tones, due to its higher subtlety of color when mixed with white. It creates a bright Ochre when mixed with Cadmium Yellow and creates greens and grays when mixed with Ultramarine. Raw Sienna dries quickly.
Raw Sienna has good permanence.
Raw Sienna has no significant hazards.
Raw Sienna has been used as a pigment since prehistoric times, although its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Italian Earth, Natural Brown Iron Oxide, Sienna.
hydrated aluminum silicate
Slate Gray is a semi-opaque, neutral gray pigment produced from powdered slate.
Slate Gray is absolutely lightfast.
Hydrated aluminum silicate is not considered toxic, however pigment from natural sources may contain impurities.
Mineral sources of Slate Gray have been used as a colorant since prehistoric times.
This Naphthol Red is an intense scarlet red pigment that is heavily staining. It has an average drying time. It is semi-transparent and has relatively poor covering power.
This Naphthol Red has been rated as having excellent lightfastness under ASTM testing, but other testing methods have demonstrated some tendancy for the color to fade with exposure to strong ultraviolet light. It has been considered a replacement for less lightfast naphthol reds such as PR3. Not suitable for exterior use.
Naphthol Reds are not considered toxic. Naphthol Red AS-D may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
Naphthal, Naphthol Bordeaux, Naphthol Carbamide, Naphthol Carmine, Permanent Carmine, Permanent Red, Fanchon Red.
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Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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