Note on select colors - Raw Umber, Raw Sienna, Burnt Sienna, Indian Yellow, Permanent Tuscan Earth, Olive Green, and Sap Green were originally formulated with mineral spirits, which may result in a slightly stronger scent. This does not affect the quality, performance, or permanence of the paint.
The formula has since been updated to remove mineral spirits. Due to mixed stock, you may receive either version. If you prefer a consistently low-odor option, consider Utrecht Artists' Oil Paint . For product questions, email our Product Information team Info@dickblick.com or call 1-800-933-2542. For existing orders, email orders@dickblick.com or call 1-800-828-4548.
Due to differences in users’ monitors, the colors presented are an approximation of the true color.
PY43-Brown Ochre
PR102-Natural Light Red Iron Oxide
PW4-Zinc White
PY43-Brown Ochre
iron(III)-oxide, partly hydrated
Fe2O3(• H2O)
Brown Ochre provides artists with earthtones from cream to brown and is a dull, dark variety of Yellow Ochre. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. The highest quality Brown Ochre comes from Cyprus, where it is yellow in its raw form and is roasted to get the deeper brown-red varieties that result when water is removed. (See Yellow Ochre, PY42/43.)
Brown Ochre has excellent permanence.
Ochre comes from the Greek word ochros, meaning pale yellow. It has been used since prehistoric times, and evidence of its use has been found in some of the earliest known cave paintings in Lascaux, France. It has also been called Goethite, after the German philosopher and mineralogist Johann Wolfgang von Goethe (1749-1832).
PR102-Natural Light Red Iron Oxide
inorganic, natural
iron oxide
Fe2O2
Natural Light Red Iron Oxide is a brick red pigment with a bright, scarlet top tone. Mineral sources vary considerably in both hue and transparency. It is generally opaque and has great tinting strength and hiding power, but more transparent versions are available. It creates salmon pinks when mixed with white. Natural Light Red Iron Oxide is often replaced by Mars colors or bright red oxides, which are cleaner and more powerful.
Natural Light Red Iron Oxide has excellent permanence and lightfastness.
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
PW4-Zinc White
inorganic
zinc(II)-oxide
ZnO
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Zinc White has great permanence and lightfastness.
UPC Code: 741389063896