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In 1949, Parisian painter Henri Goetz approached Henri Sennelier, the famous artist materials manufacturer, about creating a wax color stick for his friend Pablo Picasso. Picasso, a long-time Sennelier customer and a frequent visitor to their store across the street from the Louvre museum, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking.
Their collaboration produced the incomparable Sennelier oil pastels. Originally available in a palette of classic hues, the color selection was expanded with the additional of metallic and iridescent hues.
Beyond these classic hues, a selection of unique shades is available and, in particular, a gradation of grays, required for a balanced palette. This evolution is the fruit of a long-standing collaboration with European and North American painters who have worked with Sennelier to develop an exceptional palette of shades.
The Sennelier Oil Pastel is a product that makes use of the components used in all Sennelier colors — top-quality pigments, an extremely pure synthetic binding medium, and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize and that has no effect upon either the film stability or the surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
Sennelier Oil Pastels possess an extraordinarily high pigment content, thus providing them with a high coloring and covering potential, excellent brightness, and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier Oil Pastels with unique properties, making the brand a world-recognized reference.
Individual sticks are paper wrapped, and measure 2-5/8" × 3/8" (67 mm × 10 mm).
Note — To protect an oil pastel surface from dirt and dust, apply a fixative 8 to 10 days after the work is completed. The fixative will not dry the work. If desired, a final varnish spray can be applied to seal the surface permanently, but this may adversely affect future restoration possibilities.
Color Chart Note — Use this color chart as an approximation of the real color. If exact color matching is necessary, use actual samples of the materials.
Minimum Order — Please order individual pastels (open stock) in a minimum of 6, so that we can efficiently package and ship your order. Your selection may be assorted to meet this requirement.
Oil pastels can be used alone to create a painting. Apply them thickly or thinly, blurred or clearly defined. They can be combined with oil painting mediums such as turpentine, paint thinner, or any of the painting oils to produce glazing, scumbling, or wash effects.
Oil paints should never be used over oil pastels, because oil pastels never dry out, and oil paints will not adhere to the underlying surface. Oil paints can be used over an oil pastel wash, provided that the underlying surface is primed. Interesting effects can be achieved by scraping, scratching, smearing, or scrubbing the pastel surface.
Oil pastels can be used as a resist with water-based mediums such as watercolor or acrylic. Waterbased paint will not mix with the pastel. Oil pastels can also be used with colored pencils and oil sticks. They can be used in conjunction with printmaking inks to create monotypes.
Oil pastels can be applied with a palette knife to achieve impasto effects. For ease in application, the pastel can be heated or melted to obtain a smoother, more creamy or fluid medium.
Recommendations for Supports — Sennelier Oil Pastels were created to free artists from technical restraints and the limitations of traditional supports such as canvas. They are extremely versatile and can be used on a wide variety of surfaces.
Use them on acid-free drawing paper, at least 100–110 lb. weight, or on watercolor paper, at least 140 lb. A surface that is lightly textured, but not rough, is customary for oil pastels.
Use them on museum board, illustration board, or any acid-free paperboard stock, or apply them to rigid supports such as wood, Masonite, glass, ceramics, or metal.
Soft supports such as canvas, made of cotton, linen, or polyester, can also be used, as well as other natural and synthetic fabrics.
Note — Although it is not absolutely required, Sennelier recommends applying a coat of gesso prior to painting on non-paper surfaces, to preserve the intensity and vibrancy of colors.
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® Sennelier is a registered trademark.
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(based on 134 reviews)
of respondents would recommend this to a friend.
Reviewed by 134 customers
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Best in its category
from Missoula MT
Comments about Sennelier Oil Pastel Sets:
The old adage "you get what you pay for" certainly applies here. These are the Cadillacs of oil pastels. Buttery and creamy. Vibrant colors. Easy to blend or do other special effects with.
Bottom Line Yes, I would recommend this to a friend
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from Bellevue, WA
I love the creaminess of each crayon. The colors are beautiful and with the stick, I can draw right on the paper. Blending is very easy when I want a smoother look. Love them!
from Washington state
Having never used oil pastels I didn't have anything to compare them to but I did do a lot of research and these were by far reviewed to be the best and I can see why. They are very smooth very easy to use, the colors are gorgeous. I've had lots and lots of positive comments of my drawings with them and I cannot wait to learn how to do even more techniques with them, would definitely buy again.
The only oil pastel I use!
from Harbor Springs, MI
I am in love with these pastels. They are the right consistency for landscapes and the color choices are wonderful. When I began to use Sennelier oil pastels, I found an entire new world open to me and after decades as an artist, I finally found the perfect medium for me.
Images shared by Janice
Cross Village Beach, Cross Village, Michigan
Tags: Made with Product, Sennelier Oil Pastels, Landscape Oil Pastels
Sennelier oil pastels are sublime
from Brooklyn, NY
Sennelier oil pastels offer the greatest color choices and consistency of colors, blending possibilities, textural smoothness and all around versatility.
I would buy this product again and again
soft and fluent to paint with
from Toronto, Canada
Sennelier oil pastel are the best. Their colours are vibrant and they are so creamy therefore exquisitelyblendable.
By Stencil Mama
from Glendale AZ
Cheaper products may have what looks like more parafin. This product is creamy - and for the quality, a good pice.
Sennelier pastels are great
from Gaithersburg ,MD
I really enjoy my oil pastels, their creamy texture and how easyly they blend is beyond any other pastels that I've used. I' m also enjoying how bright the colors are .im still experimenting on using them on different surfaces .
By Portrait Artist
from Washington, D.C.
As a professional artist you really need to use the highest quality materials available. This is the best investment I have ever made. The pigments, rich and variety of colors is unmatched.
Picasso, a long-time Sennelier customer, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking.The collaboration between Henri Sennelier and Pablo Picasso produced the incomparable Sennelier oil pastels.
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