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At the end of the nineteenth century, when Gustave Sennelier started developing oil colors for his artist customers who would eventually include Cézanne, Gauguin, and Picasso, he recognized the need for producing paints that only contained the highest-quality pigments.
In order to craft superior colors, he verified that the origins of the pigments were from selected traditional sources, at the same time precisely identifying their chemical characteristics. His great respect for these materials not only ensured the permanence of works created with his paints, but also assured the production of an increasing array of unique colors of unsurpassed beauty and quality.
Since that time, some pigments have disappeared because their natural resources have been depleted, and others have been restricted due to their toxicity. However, the company's recent research and innovations have resulted in a wide variety of synthetic pigments that perfectly match the performance of ancient mineral pigments such as Lapis Lazuli and Cinnabar.
Sennelier still mines the Earth for minerals and other natural elements from traditional sources — pigments like clays and iron oxides used in ochres and the preparation of “burnt” earth colors from calcified soil.
Sennelier keeps a watchful eye on the pigments selected for its lines of extra-fine oils, oil sticks, watercolors, soft pastels, and oil pastels. These very same pure pigments are now available to artists wishing to master the preparation of their own colors.
Color Chart Note — Use this color chart as an approximation of the real color. If exact color matching is necessary, use actual samples of the materials.
Note — Pigments are sold by weight, not by volume. Since pigments differ naturally in density, some jars may seem quite empty, while others are quite full.
Mixing Water-Based Colors
Watercolor, gouache, and tempera require the addition of a hydroscopic product such as glycerin, which slows their drying time and makes them more flexible. The natural binder, either an animal or vegetable base, requires a preservative agent in order to preserve the integrity of the paints.
Mixing Oil Colors
For all shades of oil colors, the preferred binder is refined safflower oil or linseed oil, except for whites and very pale blues, for which poppyseed oil is sometimes recommended. For grinding colors, use a glass muller on a sheet of glass or polished marble.
Be careful not to add too much oil when grinding, because the longer you grind the paint, the more fluid it becomes. Each pure pigment has a particular chemical nature and requires specific treatment.
Suggested Mixing Measurements (per 100 g of pigment)
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® Sennelier is a registered trademark.
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(based on 11 reviews)
of respondents would recommend this to a friend.
Reviewed by 11 customers
Displaying reviews 1-10
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from Clovis ca
Comments about Sennelier Dry Pigments:
getting into the art world this was the best bang for your buck for dry pigments.
Bottom Line Yes, I would recommend this to a friend
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Fine, bright colors
from Clarksville, TN
For making your own watercolor or egg tempera, these pigments are superb. Generally do not require mulling.
(1 of 1 customers found this review helpful)
If you use colored pencil and finish off with some type of gel pen or white paint, search no further for now we have this stuff in titanium white. It matches the pencil much better and lasts forever since there is so much in the container. Not to mention a small amount goes a long way. I only use ot for finishing touches so far (bright white highlights).
Dye for ship model rigging.
from Gresham Oregon
It works really great for dyeing the standing and running riggingfor a sailing ship model.
(2 of 2 customers found this review helpful)
Sennelier Dry Pigments
from Littleton CO
I am currently mentoring a high school honors art student. His senior project involves the study abd creation of traditional relligious icons. We are using egg tempera to imitate the traditional form of painting; we are creating the paint by mixing dry pigments with egg.
(1 of 2 customers found this review helpful)
All in one place
By Teach Marie
I am an art instructor and teach many different mediums. I have never been unhappy with my experience with the Dick Blick company. I have for several year directed my students to your site for several reasons. My students can find everything they need in one place for a reasonable price and it get shipped to their front door.
Best pigment powdwes
from Minnetonka, Mn
Senneliar pigments produce vibrant colors. Consistent high quality.
(2 of 3 customers found this review helpful)
I would buy this product again.
I use in a cold wax application and making my graphite paper.This has quality pigments.
Right size, right price
from Sedona AZ
I use these to make the cartoons for my marble and onyx sculptures. I need this size or larger for a reasonable price.
(2 of 8 customers found this review helpful)
i would buy this product again and again
from Sao Paulo, SP - BRASIL
This material is important for my work. I am a dentistry and I make ocular prothesis. And this material can make diferent colors of the iris for the patients.
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Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
Dick Blick Art Materials®, Blick®, Blick Studio®, and Artists Pick Blick® are registered trademarks ofDick Blick Holdings Inc. © Copyright 1999-2017 Dick Blick Holdings Inc. All rights reserved.