Great American Handmade Pastel - Smokey Rose 0, 265.0

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Product Details
- Description:
- Pastel
- Color:
- Smokey Rose 0
- No.
- 265.0
Pigment Information
This color contains the following pigments:
PW18-Calcium Carbonate
PR210-Naphthol Red Medium
PW6-Titanium White
PBk6-Lamp Black
Pigment Name
PW18-Calcium Carbonate
Pigment Type
inorganic
Chemical Name
calcium carbonate
Chemical Formula
CaCO3
Properties
Calcium carbonate, the mineral constituent of chalk, is a low tinting strength, inexpensive white pigment that is often used is a buffer and filler. Because of its low tinting strength, it is overwhelmed by other colors. It is used in gesso and other coatings to give the surface more tooth, a desirable characteristic for some painting techniques.
Permanence
Calcium carbonate is lightfast. Like all carbonates, it reacts with strong acids
Toxicity
Calcium carbonate is completely non-toxic, and is used in many food, cosmetic, and pharmaceutical products. However, excessive consumption is not recommended.
History
Naturally occuring chalk deposits have been mined since prehistoric times. Rocks and minerals that contain calcium carbonate include aragonite, calcite, vaterite, chalk, limestone. marble, and travertine. Calcium carbonate is the principle component of lime, used in many agricultural and industrial applications.
Pigment Name
PR210-Naphthol Red Medium
Pigment Type
organic, naphthol AS
Chemical Formula
Properties
Pigment PR210 is a semi-transparent, bluish red pigment.
Permanence
Pigment PR210 has very good lightfastness, but its performance is considered inferior to PR170, another naphthol red.
Toxicity
Naphthol Reds are not considered toxic. They may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
History
Pigment PR210 is used primarily in inks and waterbased paints.
Pigment Name
PW6-Titanium White
Pigment Type
inorganic
Chemical Name
titanium dioxide
Chemical Formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particl
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Pigment Name
PBk6-Lamp Black
Pigment Type
inorganic
Chemical Name
carbon
Chemical Formula
C
Properties
Lamp black is a very opaque, heavily staining black pigment that does not have much covering power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures, is one of the slowest drying pigments in oils, and should not be used under other colors.
Permanence
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Toxicity
Lamp Black is slightly toxic by skin contact and inhalation. It is a possible human carcinogen.
History
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It is the black found in Egyptian murals and tomb decorations and was the most popular black for frescoing until the development of Mars Black.