Great American Handmade Pastel - Chestnut 2, 135.2

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Product Details
- Description:
- Pastel
- Color:
- Chestnut 2
- No.
- 135.2
Pigment Information
This color contains the following pigments:
PW18-Calcium Carbonate
PBr7-Burnt Sienna
PBr7-Burnt Umber
Pigment Name
PW18-Calcium Carbonate
Pigment Type
inorganic
Chemical Name
calcium carbonate
Chemical Formula
CaCO3
Properties
Calcium carbonate, the mineral constituent of chalk, is a low tinting strength, inexpensive white pigment that is often used is a buffer and filler. Because of its low tinting strength, it is overwhelmed by other colors. It is used in gesso and other coatings to give the surface more tooth, a desirable characteristic for some painting techniques.
Permanence
Calcium carbonate is lightfast. Like all carbonates, it reacts with strong acids
Toxicity
Calcium carbonate is completely non-toxic, and is used in many food, cosmetic, and pharmaceutical products. However, excessive consumption is not recommended.
History
Naturally occuring chalk deposits have been mined since prehistoric times. Rocks and minerals that contain calcium carbonate include aragonite, calcite, vaterite, chalk, limestone. marble, and travertine. Calcium carbonate is the principle component of lime, used in many agricultural and industrial applications.
Pigment Name
PBr7-Burnt Sienna
Pigment Type
earth
Chemical Name
iron oxides
Chemical Formula
Fe2O3
Properties
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Permanence
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Toxicity
Burnt Sienna has no significant hazards.
History
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Pigment Name
PBr7-Burnt Umber
Pigment Type
earth
Chemical Name
iron oxides with manganese silicates or dioxide
Chemical Formula
Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
Properties
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
Permanence
Burnt Umber has good permanence.
Toxicity
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.