Golden High Flow Acrylics - Virdian Green Hue, 4 oz bottle

Item #:01650-7434
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Golden High Flow Acrylics - Virdian Green Hue, 4 oz bottle with swatch
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Golden High Flow Acrylics - Virdian Green Hue, 4 oz bottle with swatch
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Product Details

Description:
High Flow Acrylic
Color:
Virdian Green Hue
Size:
118 ml (4 oz)
Format:
Bottle
No.
8586

Pigment Information

This color contains the following pigments:

PW6-Titanium White

PB15:3-Phthalo Blue

PBr7-Burnt Umber

PY150-Nickel Azo Yellow


Pigment Name

PW6-Titanium White

Pigment Type

inorganic

Chemical Name

titanium dioxide

Chemical Formula

TiO2

Properties

Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.

Permanence

Titanium White has excellent permanence and lightfastness.

Toxicity

Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particl

History

Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.


Pigment Name

PB15:3-Phthalo Blue

Pigment Type

organic

Chemical Name

beta copper phthalocyanine

Chemical Formula

C32H16CuN8

Properties

Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.

Permanence

Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.

Toxicity

Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).

History

Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.


Pigment Name

PBr7-Burnt Umber

Pigment Type

earth

Chemical Name

iron oxides with manganese silicates or dioxide

Chemical Formula

Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3

Properties

Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.

Permanence

Burnt Umber has good permanence.

Toxicity

Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.

History

This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.


Pigment Name

PY150-Nickel Azo Yellow

Pigment Type

inorganic

Chemical Name

nickel azomethine yellow

Chemical Formula

C30H18Cl2N6NiO4

Properties

Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.

Permanence

Nickel azomethine yellow has excellent lightfastness.

Toxicity

Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink. However, the contribution of artist

History

Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.


Safety Data Sheet

UPC Code: 738797858640