Cretacolor MonolithWoodless Pencils
Blick ChelseaMetal GalleryFrames
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Equally suited to intense coloring, delicate shading, or subtle hue transition. Professional quality oil pastels with smoothness and blendability. Permanent pigments. Absolutely dustless.
Color Swatches created using heavy to light application and were applied on 100 lb (163 gsm) drawing paper material.
bismuth orthovanadate or bismuth vanadium oxide
Bismuth Yellow is an intense, light value, semi-opaque yellow pigment with good tinting strength.
Bismuth Yellow has excellent lightfastness.
Bismuth orthovanadate is harmful if swallowed. It is irritating to the eyes, respiratory system, and skin. Exposure may cause conjunctivitis, rhinitis, and reversible irritation of the respiratory tract. More severe cases may cause bronchitis, bronchospasms, and asthma like disease. It may cause polycythemia, red blood cell destruction and anemia, albuminuria and hematuria, gastrointestinal disorders, nervous complaints, and severe cough. However, bismuth vanadium oxide is completely insoluble in water. This limits absorption and biological activity. In waterbased paints, it must be suspended in a binder vehicle. Because of low absorption, such clinical symptons are primarily limited to cases of long-term occupational exposure.
Bismuth orthovanadate occurs naturally in several minerals. Although it was synthesized in the 1920s, it was not developed as a commercial pigment until the 1970s.
Permanent Lemon Yellow, Vanadium Yellow.
Lamp black is a very opaque, heavily staining black pigment that does not have much covering power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures, is one of the slowest drying pigments in oils, and should not be used under other colors.
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Lamp Black is slightly toxic by skin contact and inhalation. It is a possible human carcinogen.
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It is the black found in Egyptian murals and tomb decorations and was the most popular black for frescoing until the development of Mars Black.
Carbon Black, Channel Black, Oil Black, Vegetable Black. Flame Black is an impure version of Lamp Black.
Phthalo Blues are pure and clean primary blues with superior covering power. They have a very high tinting strength and tend to overwhelm other pigments, but if color strength can be controlled, they make predictable mixed colors. In oil form, blues are very deep and slow drying. When mixed with other colors or if chlorine is added, Phthalo Blue quickly tends towards green. When using alone, mix with some white, as Phthalo Blue can be semi-transparent and almost black on its own. It is among the most compatible of modern colors with mineral colors and is considered more reliable than Prussian Blue, while sharing the same physical and color properties. Phthalo Blue is a good color for glazing.
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Bocour Blue, Cyan Blue, Helio Blue, Heliogen Blue, Intense Blue, Monastral Blue, Phthalocyanine Blue, Rembrandt Blue, Thalo Blue, Winsor Blue.
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Material Safety Data Sheet
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