SennelierRiveGaucheOilColors
SHOP NOW
AmpersandEncausticbord
BlickStudioArtists'ColoredPencils
BienfangTracingPaper Rolls
BlickMega GoldenTaklon Brushes
ScreenflexMobileDisplay
BlickChelseaMetalGalleryFrames
BlickPlasterCloth
SpeedballProfessionalRelief Ink
BlickWhiteGlue
BlickPencil Case
BlickStudioSeriesSoftsidePortfolio
10% Off Orders of $45 or More + Free Shipping
Available Offers
Today's Deal
Free Shipping
On Orders of $35 or More**
10% Off
Orders of $45 or More*
Use Code: CEWP *Exclusions apply**After discounts taken
On Orders of $45 or More**
**After discounts taken
Browse more:
Liquitex Professional Paint Markers are professional-quality waterbased acrylic markers for artists. Permanent and lightfast, they're formulated using artist-grade pigments and come in a range of 50 colors, including iridescents, fluorescents, and transparents.
Color Swatches created using full strength and were applied on glass material.
monoazo
n/a
C18H18N4O6
This Hansa Yellow ranges from reddish yellow to greenish yellow with temperature shifts from cool to warm hues. It has good tinting strength and average to slow drying time.
This Hansa Yellow has excellent lightfastness, particularly in the darker shades.
Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Arylide, Arylide Yellow, Azo, Brilliant Yellow, Monoazo, Monolite Yellow, Permanent Yellow.
C24H17Cl2N3O3
This Naphthol Red is a bright deep red with bluish undertones. It has an average drying time.
This Naphthol Red has fair to good lightfastness, not because of its masstone, but because it fades in tints. Not suitable for exterior use.
Naphthol Reds are not considered toxic. They may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
Unknown.
Naphthal, Naphthol Bordeaux, Naphthol Carbamide, Naphthol Carmine, Permanent Carmine, Permanent Red.
inorganic
titanium dioxide
TiO2
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Titanium White has excellent permanence and lightfastness.
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. Titanium White, if inhaled in large amounts over the course of several years, may cause a benign pneumoconiosis that is visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
None.
Your cart is currently empty.
Your cart currently contains N item.
Subtotal:$00.00