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Utrecht Artists' Oil Paint - Cadmium Red Hue, 37 ml tube

Item #:02122-3543
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Utrecht Artists' Oil Paint - Cadmium Red Hue, 37 ml tube
Utrecht Artists' Oil Paint - Cadmium Red Hue, 37 ml tube

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Product Details

Color:
Cadmium Red Hue
Size:
37 ml
Format:
Tube

Pigment Information

This color contains the following pigments:

PY73-Hansa Yellow

PR112-Naphthol Red AS-D

PW4-Zinc White


Pigment Name

PY73-Hansa Yellow

Pigment Type

monoazo

Chemical Formula

C17H15ClN4O5

Properties

This Hansa Yellow ranges from reddish yellow to greenish yellow with temperature shifts from cool to warm hues. It has good tinting strength and average to slow drying time.

Permanence

This Hansa Yellow has excellent lightfastness, particularly in the darker shades.

Toxicity

Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.

History

Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.


Pigment Name

PR112-Naphthol Red AS-D

Pigment Type

organic, monoazo

Chemical Formula

C24H16Cl3N3O2

Properties

This Naphthol Red is an intense scarlet red pigment that is heavily staining. It has an average drying time. It is semi-transparent and has relatively poor covering power.

Permanence

This Naphthol Red has been rated as having excellent lightfastness under ASTM testing, but other testing methods have demonstrated some tendancy for the color to fade with exposure to strong ultraviolet light. It has been considered a replacement for less lightfast naphthol reds such as PR3. Not suitable for exterior use.

Toxicity

Naphthol Reds are not considered toxic. Naphthol Red AS-D may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.

History

Unknown.


Pigment Name

PW4-Zinc White

Pigment Type

inorganic

Chemical Name

zinc(II)-oxide

Chemical Formula

ZnO

Properties

Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

Permanence

Zinc White has great permanence and lightfastness.

Toxicity

Zinc White is moderately toxic if ingested and slightly toxic if inhaled.

History

Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.


Safety Data Sheet