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Manufactured according to the original formulas, the Artisti line includes authentic, hard to find colors like Prussian Blue and Bitumen. With the exception of the whites, which are ground in safflower oil, all Artisti Oils are prepared using top-quality, cold pressed linseed oil.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
hydrated iron, magnesium, aluminum and potassium silicates
Green earth is a natural pigment that varies from yellow and olive to blue-green in its composition and hues. It is semi-transparent, has low hiding power and tinting strength, muddies and darkens in oil, and is particularly good for tempera and fresco painting.
Green Earth has excellent permanence and lightfastness, although some varieties can be developed by light calcining. It is one of the most permanent pigments because Earths are not affected by sunlight or atmospheric conditions.
Green Earth has no significant hazards.
Terre verte is French for green earth. It was discovered in antiquity, and its use has been traced to the Ajanta caves in India and a variety of Roman sites, including Pompeii. Green Earth was very popular for underpainting flesh tones in medieval paintings because this green was the compliment to pink on the medieval color wheel. Its use declined after the Renaissance. The natural supplies of the pigment are mostly depleted, and manufacturers currently duplicate the hue using mineral bases like Viridian, iron oxide, or chromium oxide, or artificial ceramic colorants. Pigments sold under this name can also be the result of mixing Sienna and Phthalo Green.
Celadon Green, Celadonite. Green Bice, Holly Green, Stone Green, Terra Verte, Verdeterra, Verdetta, Veronese Green. Bohemian Earth is a high quality, clear, middle-green variety. Cyprus Green Earth, or Cyprian, is a high quality yellowish variety. Tyrolean and Verona Earth are high quality bluish varieties. Verona Brown is a calcinated variation of Green Earth. Burnt Green Earth is similar to Transparent Brown
polychlorinated copper(II) phthalocyanine
C32H3Cl13CuN8 to C32HCl15CuN8 or C32H16CuN8Cl15 (PG7) or C32Br6Cl10CuN8 (PG36)
Phthalo Green is a transparent, cool, bright, high intensity color used in oil and acrylics. It comes from a Phthalocyanine Blue pigment where most of the hydrogen atoms have been replaced with chlorine, forming highly stable molecules. It has similar pigment properties and permanence to Phthalo Blue. It is slow drying and an excellent base color for mixing a range of bright greens. Phthalo Green is considered a very good alternative to Viridian because it is intense and mixes well and can be used to emphasize mineral colors in various tints. However, its tinting strength is very high, so it can overpower other colors. This pigment most closely resembles the discontinued and toxic Verdigris.
Phthalo Greens are completely lightfast and resistant to alkali, acids, solvents, heat, and ultraviolet radiation. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Green has no significant hazards, but it contained PCBs (polychlorinated biphenyls) until 1982.
This bright blue-green was developed in 1935 and has been in use since 1938.
Bocour Green, Cyan Green, Intense Green, Monastral Green, Phthalocyanine Green, Rembrandt Green, Thalo Green, Winsor Green.
hydrated iron oxide
α-FeO3+(OH) or Fe2O3
Raw Sienna is a moderately dull deep earth yellow with medium tinting strength and excellent transparency. It is one of the basic permanent artists' pigments and is made from a form of limonite clay whose yellow-brown color results from ferric oxides. Raw Sienna is preferable to Yellow Ochre for creating flesh tones, due to its higher subtlety of color when mixed with white. It creates a bright Ochre when mixed with Cadmium Yellow and creates greens and grays when mixed with Ultramarine. Raw Sienna dries quickly.
Raw Sienna has good permanence.
Raw Sienna has no significant hazards.
Raw Sienna has been used as a pigment since prehistoric times, although its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Italian Earth, Natural Brown Iron Oxide, Sienna.
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Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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