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Manufactured according to the original formulas, the Artisti line includes authentic, hard to find colors like Prussian Blue and Bitumen. With the exception of the whites, which are ground in safflower oil, all Artisti Oils are prepared using top-quality, cold pressed linseed oil.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
Diarylide Yellow is a semi-opaque, moderately staining, intense deep reddish yellow pigment with good tinting strength.
Diarylide Yellow 83 has very good lightfastness and permanence. However, it can fade in tints, so some artists do not consider it suitable as an artists’ color. Many other diarylide yellow pigments are reported to have fair to poor lightfastness, and some are completely fugitive. Diarylide Yellow 83 is reputed to be one of the most permanent of the entire group.
Diarylide Yellow has no significant acute hazards, but chronic hazards have not been well studied.
Diarylide Yellow comes from a family of azo pigments called Diarylide. These yellow hued pigments were developed around 1940 and are very important in printing inks.
Benzidine Yellow, Diazo Yellow.
Benzidine Yellow GG
Pigment Yellow 17 is a somewhat greenish yellow that has very high tinting strength and good resistance to solvents.
Pigment Yellow 17 has good lightfastness if prepared using the proper procedures. Because procedures for preparing PY17 vary, artists may want to conduct their own lightfastness tests to verify that the manufacturer has selected quality pigment.
Benzidine dyes are not bioavailable. Although benzidine-based dyes can be reduced to their amine precursors in vivo, creating a compound that is carcinogenic, benzidine dyes are believed to be so insoluble in water that they are unlikely to be absorbed in a quantity sufficient to be carcinogenic.
This Benzidine Yellow dye was first reported by Esitelty in 1949. Initiailly, it was reported to be less lightfast than yellow monoazo pigments, which limited its usefulness. A method for making Pigment Yellow 17 more permanent was patented in 1972 (United States Patent 3785843), and the improved dye became known as Permanent Yellow. Permanent Yellow 17 is widely used in printing inks, textile dyes, paints, plastics, and coatings.
Benzidine Yellow GG, Diarylide Yellow 17
hydrated iron oxide
α-FeO3+(OH) or Fe2O3 × MnO2
Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.
Raw Umber has excellent permanence.
Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Chestnut Brown, Euchrome, Jacaranta Brown, Mars Brown, Raw Brown, Sicilian Brown. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.
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Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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