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Made using an exclusive binder that provides more pigment with every stroke, QoR Modern Watercolors have all the subtlety, transparency, and flow of a great traditional watercolor, yet the colors embody the fire and vibrance of the best acrylic or oil paint — even after drying.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
Fe2O2 or Fe2O3 • H2O
Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.
Mars Orange has excellent permanence and lightfastness.
Mars Orange has no significant hazards.
The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.
nickel azomethine yellow
Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.
Nickel azomethine yellow has excellent lightfastness.
Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink. However, the contribution of artist pigments to levels of nickel metal complexes in the environment is almost insignificant. Nickel is often present in the environment naturally. Nickel is used heavily in steelmaking, and in many industrial processes and products.
Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.
Gamboge Hue, New Gamboge.
organic synthetic, quinacridone
Quinacridone Red is a high performance, transparent pigment with an average drying time and uneven dispersal. It is another name for Quinacridone Violet (PV19) and Quinacridone Red (PR192). Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Quinacridone Violet has excellent lightfastness and is considered the most lightfast organic pigment in this shade range.
Quinacridone Violet has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.
Quinacridone Red (PR192), Quinacridone Red (PR19).
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Material Safety Data Sheet
® Golden is a registered trademark of Golden Artist Colors.® QoR is a registered trademark of Golden Artist Colors. ® Aquazol is a registered trademark.
Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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