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For intensity and brilliance beyond compare, experience Mission Gold Watercolors by Mijello. This line of 96 super-premium watercolors was designed with the help of expert watercolor artists to mirror the strong, vivid colors of nature.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
organic, monoazo benzimidazolone
Benzimidazolone Brown is a transparent brown pigment that is heavily staining and dark valued but has moderately low tinting strength. According to its manufacturer Clariant, “It is a dark brown, very transparent benzimidazolone pigment with excellent light, weather, and solvent fastness properties plus high heat stability. Recommended for paste inks, solvent and water based packaging gravure, and flexographic printing inks.” Benzimidazolone Brown has been used in watercolor painting, where transparent brown colors have traditionally been mixed from other pigments.
Benzimidazolone Brown has excellent lightfastness and weather resistance.
Benzimidazolone pigments were developed and patented by Hoechst in 1960, and have gradually come into use as artist pigments.
Renol Brown, Viscofil Brown, Microdis Brown, Hostaperm Brown HFR.
iron oxides with manganese silicates or dioxide
Fe2O3,MnO2 or Fe2O3 + MnO2 + nH2O + Si + Al2O3
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
Burnt Umber has good permanence.
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Chestnut Brown, Euchrome, Jacaranda Brown, Mars Brown, Mineral Brown, Raw Brown, Spanish Brown, Van Dyke Umber. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.
nickel azomethine yellow
Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.
Nickel azomethine yellow has excellent lightfastness.
Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink. However, the contribution of artist pigments to levels of nickel metal complexes in the environment is almost insignificant. Nickel is often present in the environment naturally. Nickel is used heavily in steelmaking, and in many industrial processes and products.
Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.
Gamboge Hue, New Gamboge.
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