Flourish FreestandingSteel Frame MeshPanelDisplay Walls
Blick ChelseaMetal GalleryFrames
10% Off Orders $59 + Free Shipping $35
On Orders of $35 or More**
Orders of $59 or More*
Free $5 E-Coupon
On Orders of $59 or More*
Free $10 E-Coupon
On Orders of $99 or More*
Use Code: CEVN *Exclusions apply**After discounts taken
Free $5 E-COUPON on orders of $59 or more
Free $10 E-COUPON on orders of $99 or more
On Orders of $45 or More**
**After discounts taken
Reap the benefits of high quality oil paints while enjoying the freedom to draw directly on your surface, without the distancing factor of the brush. Handmade and richly pigmented, R&F Pigment Sticks are comparable to the finest tube oil paints.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and very high hiding power. It is the artist’s principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil form and is used in both oil and watercolor form. It cannot be mixed with copper-based pigments. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colors, cheaper, and non-toxic.
Cadmium Yellow is usually available in a pure grade, or in a cadmium-barium mix. This mix has the same permanence with a lower tinting strength.
Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colors, it will fade in fresco or mural painting. The deeper shades are the most permanent. The pale varieties have been known to fade with exposure to sunlight.
Cadmium Yellow is a known human carcinogen. It can be hazardous if chronically inhaled or ingested.
Cadmiums get their names from the Latin word cadmia meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. Oil colors were first made from Cadmium Yellow pigments in 1819, replacing toxic Chrome (lead) Yellows. However, their production was delayed until 1840 due to the scarcity of cadmium metals. Landscape painters, such as Claude Monet, preferred Cadmium Yellow to the less expensive Chrome Yellow because of its higher chroma and greater purity of color.
Aurora Yellow, Cadmium Primrose Yellow, Cadmium Zinc Yellow, Lemon Yellow, Primrose Yellow. Deep Cadmium Yellow is sometimes called Orient Yellow.
Chromium Oxide Green is a dull, dense, willow or pale green color that is completely opaque. It has an average drying time and a low tinting strength. It is fairly flexible in oil form and is suitable for all purposes and mediums. This pigment is less versatile in mixtures than Viridian and Phthalocyanine Green, but mixes well with other colors without overpowering them.
Chromium Oxide Green has excellent permanence, even at high temperatures.
Chromium Oxide Green is slightly toxic. Evidence of Chromium(III) carcinogenicity is inconclusive. Chromium(III) salts appear in greenish pigments such as PG17. Chromium(VI) salts, which appear in yellowish pigments, have been proven to cause cancer.
Louis-Nicolas Vauquelin discovered the element chromium in lead chromate in 1797. It began to be used as an enamel and ceramic color in 1809, but it had limited use as a pigment until 1862, because of its cost. It is the most commonly used green for military camouflage because it appears the same shade as living foliage under infrared light.
Chrome Oxide Green, Olive Green, Permanent Green. Varieties of Chromium Oxide Green include Arnaudon's Green, Dingler's Green, Plessy's Green, and Schnitzer's Green.
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Titanium White has excellent permanence and lightfastness.
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. Titanium White, if inhaled in large amounts over the course of several years, may cause a benign pneumoconiosis that is visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Zinc White has great permanence and lightfastness.
Zinc White is moderately toxic if ingested and slightly toxic if inhaled.
Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.
Your cart is currently empty.
Your cart currently contains N item.
Material Safety Data Sheet
R&F is a trademark.® Ampersand is a registered trademark. ™ Encausticbord is a trademark.