Yarka St. PetersburgProfessional WatercolorPans
Tombow MonoProfessional DrawingPencils
15% Off Orders of $45 or More + Free Shipping
On Orders of $25 or More**
Orders of $45 or More*
SUMMER CYBER DEALSJuly 12-16
While supplies last.
Use Code: CEVY
*Exclusions apply**After discounts taken
SUMMER CYBER DEALS – July 12-16. While supplies last.
**After discounts taken
Gamblin FastMatte Alkyd Oil Colors were formulated to offer painters an artist's-grade oil color that dries quickly, yet offers the adhesion of a ground, making it excellent as a base layer or for underpainting techniques.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
Perylene Red is a moderately intense, semi-opaque, medium red pigment, appearing somewhere between a Cadmium Red and a Cadmium Deep Red hue. It has excellent brightness and tinting strength. Its partial transparency makes it useful as a glazing color.
Perylene Red has good lightfastness and permanence. Its tints may darken after extended exposure to sunlight. It is not considered suitable for exterior use.
Perylene Red has no significant acute toxicity. Its long term hazards are currently unknown.
Perylenes have been used as vat dyes since 1912, but they were not manufactured and sold as pigments until 1957. For artists, they are a replacement for historic colors that were made with berries, and are significantly more lightfast.
organic synthetic, quinacridone
Quinacridone Red is a high performance, transparent pigment with an average drying time and uneven dispersal. It is another name for Quinacridone Violet (PV19) and Quinacridone Red (PR192). Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Quinacridone Violet has excellent lightfastness and is considered the most lightfast organic pigment in this shade range.
Quinacridone Violet has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.
Quinacridone Red (PR192), Quinacridone Red (PR19).
complex silicate of sodium and aluminum with sulfur
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Ultramarine has no significant hazards.
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet’s Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Your cart is currently empty.
Your cart currently contains N item.
® Gamblin is a registered trademark.