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Old Holland has been making artist colors since 1664, as one of the oldest continuously operating companies in the art supply industry. The company is known for uncompromising adherance to its techniques and standards. All color making is done by hand
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
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Cerulean Blue is the standard cool blue, considered the traditional counterpart to Ultramarine, and is often used for painting atmospheric shades. It is quick drying and retains its color well, better than any other blue, in oil paint form. However, it tends to granulate or become chalky in watercolors. It has limited hiding power, is semi-opaque, and is easy to control. Its tinting capacity is low, so it can become lost when mixing.
Cerulean Blue has excellent permanence. It is very stable and lightfast.
Cerulean Blue is moderately toxic if inhaled or ingested and slightly toxic if it comes into contact with skin.
The name Cerulean Blue comes from the Latin word caelum, meaning sky. This pigment was discovered in 1805 by Andreas Hopfner, but it was not widely available until introduced by Messrs. G. Rowney & Co. in England under the name coeruleum in 1860 for use in aquarelle and oil painting. It was produced by the action of heat on cobalt oxide and other metallic bases.
Bleu Celeste, Caeruleum, Coelin, Coeruleum.
cobalt titanium oxide
Cobalt Titanium Oxide is a low intensity color with a weak tinting strength, similar to Cobalt Blue. It has an average to fast drying time.
Cobalt Green has excellent permanence and lightfastness.
Cobalt Green is considered toxic due to its cobalt component. Do not breathe its dust.
Since ancient times, smalt blue has been used to color glass and ceramics. Cobalt salts, which give smalt its characteristic blue color, were identified in the 18th century. Techniques for manufacturing various cobalt salts, offering a range of blues and greens, were developed in the 19th century.
Cobalt Teal, Cobalt Turquoise, Light Green Oxide
Phthalo Blues are pure and clean primary blues with superior covering power. They have a very high tinting strength and tend to overwhelm other pigments, but if color strength can be controlled, they make predictable mixed colors. In oil form, blues are very deep and slow drying. When mixed with other colors or if chlorine is added, Phthalo Blue quickly tends towards green. When using alone, mix with some white, as Phthalo Blue can be semi-transparent and almost black on its own. It is among the most compatible of modern colors with mineral colors and is considered more reliable than Prussian Blue, while sharing the same physical and color properties. Phthalo Blue is a good color for glazing.
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Bocour Blue, Cyan Blue, Helio Blue, Heliogen Blue, Intense Blue, Monastral Blue, Phthalocyanine Blue, Rembrandt Blue, Thalo Blue, Winsor Blue.
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Material Safety Data Sheet
® Old Holland is a registered trademark.
Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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