Cretacolor MonolithWoodless Pencils
Blick ChelseaMetal GalleryFrames
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All color making is done by hand, and processes are controlled by artists. Pigments are ground in stone rather than metal rollers.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
barium manganate + barium sulfate
BaMnO4 + BaSO4
Manganese Blue is a brilliant, clear, semi-opaque to transparent blue pigment with a greenish undertone. Its saturation and texture varies across manufacturers.
Manganese Blue has excellent lightfastness in watercolor form.
Manganese Blue can be highly toxic if inhaled or ingested, causing nervous system disorder.
Manganese compounds have been in use as pigments for more than 17,000 years. The Egyptians and Romans commonly used them in glass-making. The synthetic variation was officially patented in 1935, but neither the original nor the synthetic is commonly produced today, as Manganese Blue has been replaced on the artist’s palette by more intense blues. Most brands offer a Manganese Blue made from Phthalocyanine Blue. Appropriate substitutes in watercolor form are the rare Peacock Blue, Phthalocyanine Blue (Green), or Phthalocyanine Blue lightened by Zinc White.
Cement Blue, Mineral Blue.
manganese ammonium pyrophosphate
(NH4)2Mn2(P2O7)2 - Mn3(PO4)2 * 3H2O or H4O7P2H3NMn
Manganese Violet is a semi-transparent, bluish-violet pigment with a discrete opacity and low tinting strength. It is the reddest of the violets, and it covers and dries well in oil and tempera. It also performs well in pastel, encaustic, and watercolor. Manganese Violet is not well suited for fresco or acrylic painting. There can be significant differences in color across brands. It shares similar properties with bluish shades of Cobalt Violet.
Manganese Violet has excellent permanence and lightfastness, and it is one of the most lightfast, balanced violets in watercolor form.
Manganese Violet is highly toxic if inhaled and moderately toxic if ingested.
This pigment was developed in 1868 by E. Leykauf to replace the more expensive Cobalt Violet. It was not offered as an artists’ pigment until 1890.
Burgandy Violet, Mineral Violet, Nürnberg Violet, Permanent Violet.
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Material Safety Data Sheet
® Old Holland is a registered trademark.