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All color making is done by hand, and processes are controlled by artists. Pigments are ground in stone rather than metal rollers.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
Anthraquinone Red is a magenta colored pigment that is transparent and moderately intense. It tends to fade in tints and is suitable for all media.
Anthraquinone Red has good lightfastness and permanence in its masstone, while its tint lightfastness is moderate. Overall lightfastness and permanence varies by brand.
Anthraquinone Red has no significant acute toxicity.
Anthraquinone pigments originated as textile vat dyes before being used as pigments. They became more popular with artists once it was discovered that careful preparation and grinding helped them to retain brilliance of color.
organic synthetic, quinacridone
Quinacridone Red is a high performance, transparent pigment with an average drying time and uneven dispersal. It is another name for Quinacridone Violet (PV19) and Quinacridone Red (PR192). Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Quinacridone Violet has excellent lightfastness and is considered the most lightfast organic pigment in this shade range.
Quinacridone Violet has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.
Quinacridone Red (PR192), Quinacridone Red (PR19).
This organic pigment has been called Van Dyke Brown because it is so similar to the brown used by Flemish painter Anthony van Dyck, although it is in fact a modern synthetic pigment. In addition to its use in art, it has been used as a pigment for coloring plastics and synthetic fibers.
Cromophtal Brown, Microlith Brown
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