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Cotman, from the makers of Winsor & Newton Professional Watercolors, offers a selection of good-quality watercolors. The Cotman line includes both traditional pigments and reliable synthetic colors that replace some of the more rare and expensive pigments used in the Professional Watercolors.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
iron oxides with manganese silicates or dioxide
Fe2O3,MnO2 or Fe2O3 + MnO2 + nH2O + Si + Al2O3
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
Burnt Umber has good permanence.
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Chestnut Brown, Euchrome, Jacaranda Brown, Mars Brown, Mineral Brown, Raw Brown, Spanish Brown, Van Dyke Umber. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.
Fe2O3 • H2O
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
Yellow Ochre is non-toxic unless it contains manganese.
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.
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™ Winsor & Newton is a trademark.™ Cotman is a trademark.
Dick Blick Art Materials · P.O. Box 1267 · Galesburg, IL 61402-1267 · Toll-free Phone (800) 828-4548 International Phone +1-309-343-6181 ext. 5402 · Fax (800) 621-8293
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