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Horadam colors can be lifted from a dried palette without forming small bubbles. Colors flow evenly and are fully intermixable. Horadam helps the artist maintain full control of color, even on softer papers.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
Schmincke's Madder Red Dark is a cool, saturated, deep red with good transparency. Use it as an alternative, with better lightfastness, to Madder Lake Deep.
Perylene Maroon is a transparent, dull to moderately dull, deep red pigment. Its transparency makes it useful as a glazing color. Its mixing complement is Phthalo Green, and together they produce a pure black that is darker than most carbon-based pigments. Perylene Maroon is not suitable for acrylics.
Perylene Maroon has excellent permanence and lightfastness, and it can be an appropriate replacement for Anthraquinone Red in watercolor form.
Perylene Maroon has no significant acute toxicity. Its long term hazards are currently unknown.
Perylenes have been used as vat dyes since 1912, but they were not manufactured and sold as pigments until 1957.
organic synthetic, quinacridone
Quinacridone Red is a high performance, transparent pigment with an average drying time and uneven dispersal. It is another name for Quinacridone Violet (PV19) and Quinacridone Red (PR192). Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Quinacridone Violet has excellent lightfastness and is considered the most lightfast organic pigment in this shade range.
Quinacridone Violet has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.
Quinacridone Red (PR192), Quinacridone Red (PR19).
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