Mixed Media Paper and Boards

The fine-texture surface of Bienfang Mixed Media paper is an excellent choice for watercolors, acrylics, pen-and-ink, pencils, markers, pastels, collage, and more. The 90 lb (146 gsm) paper also erases cleanly. 40-sheet pads.

Dick Blick's 14-ply board is a good student-grade illustration board for the junior-senior high school level. Its slightly textured surface is great for pencil, pastel, watercolor, or pen-and-ink.

Blick Mixed Media paper offers wet media performance on a dry media surface. The medium-weight, 80 lb (119 gsm) paper is ideal for any mixed media application, including watercolors, acrylics, pen and ink, pencils, markers, pastels, collage, and more.

Designed to appeal to students, Canson XL papers are developed in consultation with art professors who use Canson's professional artist papers as a benchmark. As a result, Canson XL Mix Media Pads and Sheets incorporate many professional performance characteristics — at a value price!

Strathmore Visual Journals feature high-performing papers, heavy-duty covers, and a durable wire binding that help artists reflect, explore, create, and mix it up!

The fine-texture surface of Bienfang Mixed Media paper is an excellent choice for watercolors, acrylics, pen-and-ink, pencils, markers, pastels, collage, and more. The 90 lb (146 gsm) paper also erases cleanly. 40-sheet pads.

Blick Mixed Media paper offers wet media performance on a dry media surface. The medium-weight, 80 lb (119 gsm) paper is ideal for any mixed media application, including watercolors, acrylics, pen and ink, pencils, markers, pastels, collage, and more.

The sleek, modern look of a hardbound book, at the price of a flexible pad! Canson Artist Series Mix Media Books can be used with dry and wet media. 30 sheets of high-quality, 138 lb (224 gsm), acid-free, true size white paper, double-wirebound in heavyweight covers.

Canson Artist Series Mix Media Pads are ideal for dry media, markers, pens, wet media techniques, and even collage.

Ideal for dry media, markers, pens, wet media techniques, and even collage, these wirebound, hard cover ArtBooks contain 40 sheets of heavyweight, 138 lb (224 gsm) French paper that's perfect for final drawings.Micro-perforated pages for easy removal.

Canson The WALL sketchbooks contain high-quality, French-made paper with a technologically advanced barrier layer that creates 60 usable surfaces. The opaque, extra white paper resists bleedthrough, even with solvent-based markers. 30 sheets. 135 lb (220 gsm).

Designed to appeal to students, Canson XL papers are developed in consultation with art professors who use Canson's professional artist papers as a benchmark. As a result, Canson XL Mix Media Pads and Sheets incorporate many professional performance characteristics — at a value price!

Canson XL Mix Media Pads incorporate many professional performance characteristics at a value price! The heavier weight and coarser surface of the rough paper in this pad allows for wet media use, and easily grabs hold of dry pigment. Wire-bound, 50 micro-perforated sheets.

Experiment with a wide range of wet and dry techniques on PaintOn Mixed Media Pads. These pads include 20 sheets of extra heavyweight, 115 lb (250 gsm) French milled paper. Acid-free, pH-neutral, and archival, the paper resists buckling and warping.

The name says it all! A versatile, revolutionary paper that won't bleed through no matter what media you use.

Fabriano Black Black and White White Pads hold 20 sheets of deep black or bright white paper. Ideal for pastels, colored pencils, markers, and papercrafts, this 300 gsm paper also accepts light water media. Paper is acid-free, made from chlorine-free cellulose pulp. Made in Italy.

The Fabriano Studio Mixed Media Fat Pad combines the best characteristics of watercolor paper, acrylic paper, and drawing paper. Strong enough to withstand wet and dry techniques, the tapebound pad holds 150 sheets of 108 lb (160 gsm), acid-free, 9" x 12" bright white paper.

Grafix Dura-Bright Black Film Pad is a durable and versatile mixed-media sheet with an opaque, black, ultra-smooth surface. Ideal for use with metallic and iridescent watercolors, alcohol inks, gels, and acrylic paints, other applications include embossing, debossing, stamping, glitter, mixed media, die-cutting, sewing, and more!

Grafix Dura-Bright is a strong, versatile mixed-media sheet with an opaque, white, ultra-smooth surface, ideal for use with watercolors, alcohol inks, sprays, gels, gel mediums, and acrylic paints. 0.010" thick, pH-neutral, waterproof, heat-resistant, easy to cut sheets. Pad holds 12, 9" x 12" sheets. Made in the USA.

The white, heavyweight (90 lb, 185 gsm) drawing paper in Grumbacher Mixed Media Pads has a medium-tooth texture for dry media and light wet media washes. 50-sheets pads are dual loop wirebound and feature patent-pending "In & Out” pages that can be removed and returned.

The beauty of these hardcover sketchbooks is that pages can be removed for reworking or scanning, then returned to the book. The Grumbacher Mixed Media Sketchbook holds 40 pages of white "In & Out" mixed media paper that is sized for dry and wet media. 90 lb (185 gsm).

Naturally age-resistant, Hahnemühle bamboo paper has a unique surface suitable for watercolors, acrylics, and pastels, as well as for sketching and drawing with charcoal. Pads each contain 25 sheets of 125 lb (265 gsm) paper.

Legion Stonehenge Aqua Cold Press Black Watercolor Paper is a synthetically sized, 140 lb (300 gsm) black watercolor paper that is pH-neutral, acid-free, lignin-free, and chlorine-free. Use it with metallic, pearlescent, and iridescent watercolor paints, plus a wide range of other media.

Create a work of art from start to finish in the Pacon Ucreate All-in-One Journal. It includes 60 sheets — 20 sheets of sketch paper, 20 sheets of drawing paper, 10 sheets of standard tracing paper, and 10 sheets of heavyweight mixed media paper.

Rembrandt Toned Mixed Media Paper Pads are exceptional for figure drawing but can be used for a wide number of mixed media works, even some where wet media is lightly applied. The pads contain 50 sheets of 15% cotton 120 lb (180 gsm) paper gluebound on one side.

This medium-weight paper features a vellum surface. The sheets are wirebound into a sketchbook format, each pad containing 40 sheets. This paper is ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, pastel, and collage.

This heavyweight, versatile Strathmore acid-free paper is well suited for painting, drawing, pastel or charcoal applications where a heavy paper with a toothy surface is desirable. The paper has a cream-colored linen finish. 246 lb (400 gsm).

Create bold effects on black paper with metallic inks and watercolors, gel pens, pastels, colored pencils, and more. Strathmore 400 Series Black Mixed Media Paper Pads combine the characteristics of watercolor paper with the finish of a drawing sheet. 15-sheet pads. 184 lb (300 gsm).

Strathmore's 400 Series Hardbound Mixed Media Art Journals offer artists more choices in a hardbound format. They hold 48 pages of 184 lb (300 gsm) 400 Series mixed media paper in Warm Tan or Cool Gray. The 100% recycled paper contains 30% post-consumer, acid-free.

For studies or finished art, this heavyweight, paper features a vellum surface. The gluebound pads contain 15 sheets each and feature flip-over covers.

The perfect hybrid of two of Strathmore's most-loved papers — 400 Series Toned Sketch and 400 Series Mixed Media — this heavyweight mixed media paper is toned specifically for use with light and dark media.

Strathmore 500 Series Heavyweight Mixed Media Paper is internally sized to stand up to multiple layers of wet media, and has a vellum surface for drawing. 12-sheet gluebound pads. 100% cotton, acid-free, lignin-free, and archival. Natural White. 350 lb (570 gsm).

Strathmore's Hardbound Art Journal offer artists more choices in a hardbound format, such as 500 Series mixed media paper, Smyth-sewn binding that allows the books to lay flat when open, and a lightly textured, matte, chocolate brown cover.

The Strathmore Softcover Mixed Media Art Journal holds 64 pages of a professional-quality paper for drawing, and internal sizing for wet media. The velvety "softcover" is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lie flatter.

Strathmore Vision Mixed Media Pads contain all-purpose paper in a sketching format. Ideal for all dry media, the 98 lb (168 gsm) paper can also be used for light wet media. Holds 70 micro-perforated sheets, spiral-bound into chipboard backing with a customizable cover. Made in the USA.

Strathmore Visual Journals feature high-performing papers, heavy-duty covers, and a durable wire binding that help artists reflect, explore, create, and mix it up!

An optimal surface for metallic and interference paints, Van Gogh Black Watercolor Paper Pads hold 12 sheets of 100% cellulose, 140 lb (360 gsm) paper with a fine grain. The internally sized paper also works well with acrylic inks, gouache, and pencils. Acid-free. Gluebound pads.

Made from 80% calcium carbonate bonded with plastic, Yasutomo Mineral Paper can be used with a wide variety of media. It can also be embossed, hot-stamped, varnished, glued, and laminated. Water-resistant. 100 lb (150 gsm). 9" x 12", 20-sheet pad.

An innovative combination of a heavyweight, archival board and Art Spectrum Colourfix primer make Colourfix Multi-media Painting Board a great choice for a variety of applications. Available in a rich assortment of lightfast, acid-free colors.

Dick Blick's 14-ply board is a good student-grade illustration board for the junior-senior high school level. Its slightly textured surface is great for pencil, pastel, watercolor, or pen-and-ink.

Perfect for creating artwork with alcohol inks! Brea Reese Alcohol Ink Panels have non-porous polypropylene surfaces. Apply alcohol ink directly from the bottle, or use a dauber, brush, foam roller, mister, or straw to create a wide variety of effects.

This board provides a dramatic surface for pencil, chalk, and gouache. The very finely textured surface paper is acid-free and highly resistant to light and fading. 60 point. 150 gsm.

C' a Grain Art Boards provides a luxurious surface with a pronounced texture for drawing that stands up to repeated erasing and reworking. It is ideal for charcoal, Conte crayon, pastels or very soft pencil.

Primed and ready for oil paint, oil pastels, or acrylic paints , the canvas-like surface of Canson Canva-Paper Art Boards is treated with a high-performance barrier to absorb media, bonding agents, and water evenly. Rigid, acid-free backing. 16" × 20".

The substantial textured surface of Edition art board is excellent for drawing and multimedia expression. Available in either Vanilla or White. 65 point. 250 gsm.

Made without optical brighteners, this ultra-smooth illustration and drawing art board offers a brilliant, extra-white foundation that provides superior contrast for ink, marker, felt-tip pen, and pencil. Also stands up well to erasing and scraping.

This is an ideal substrate for watercolor, acrylic, gouache, or ink washes. Montval art board features natural white French watercolor paper with a cold press surface. 65 point. 185 gsm.

Available in popular sizes, Canson Plein Air Mix Media Pads contain 10 rigid art boards laminated to Canson-quality mix media paper. Excellent for dry and wet media, the textured, acid-free paper accepts acrylics, watercolors, inks, pens, and pencils, and has excellent erasability. Foldover covers.

This pure white art board offers a luminous, fine-textured surface that is ideal for detailed work in pen, pencil, or colored pencil. This sturdy substrate is also erasable. 60 point. 130 gsm.

Rigid enough for quick, gestural paint sketches, yet economical enough to use in the classroom for warm-ups and compositional planning, Crescent Canvas Boards feature a toothy surface that holds paint well. Their solid cream core provides a consistent surface.

Ideal for found, recycled or repurposed objects, as well as markers, inks, acrylics and paper layering, Crescent Collage Boards are the ideal surface for collage. The medium-weight, hot press art boards feature a smoother, whiter core for an extra-smooth surface.

Ideal for colored pencils, pastels, charcoal, and graphite, these medium-weight art boards are sturdier and more durable than paper. Their tough, cold press surface features a soft, gritty tooth that holds dry pigments and stands up to applications of multiple mediums and layers.

Crescent Textured Black Art Boards come in sizes most requested by artists. For drawing, painting, pastels, chalk, colored pencils, and mixed media, these double-sided, medium-weight (0.050–0.060 thick), pH-neutral black art boards also have a solid black core. 3-packs.

Crescent Watercolor Board is a 100% cotton rag, acid-free watercolor paper mounted on one side of an extra heavy, 1/8" thick, 40 ply board to eliminate the need for stretching. Paper is a 140 lb (300 gsm) weight paper.

Join the Fredrix revolution! This innovative 100% cotton artist canvas combines the texture of a natural, woven fabric with a specially formulated gesso designed for all water-based paints. Archival boards are mounted on rigid, non-warping hardboard core.

Accepts both oil and water-based paints without warping. Made with paper and thermal-set epoxy resin--media adheres without penetration. Can be erased, scraped, and sanded, both front and back are usable. Approx. 1/32" thick.

Strathmore 500 Series Illustration Board is a professional-quality, 100% cotton, heavyweight board with a durable vellum finish. Ideal for drawing, with internal sizing for light washes and wet-on-wet applications. 78 pt.

Brea Reese Waterproof Alcohol Ink Paper is a smooth, non-porous, synthetic surface that is ideal for alcohol ink techniques.

Great for use with both dry and wet art media, Brush and Pencil LuxArchival Professional Sanded Art Paper Roll is a white sanded paper that can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It won't buckle under liquids and can be used with water, alcohol, and odorless mineral spirits.

Great for use with dry and wet art media, this white sanded paper can hold 30+ layers of colored pencil, pastel, charcoal, and graphite. It can be used with water, alcohol, and odorless mineral spirits. Durable grit is bonded to 100% cotton paper. Acid-free and archival. Sheets and rolls.

Featuring Canson's finest-quality French paper at their core, these fine-tooth sanded papers are ideal for pastel, crayon, charcoal, colored pencil, silverpoint, stamping, and stenciling. It also works well with wet media such as ink, tube paints, and sprayed or airbrushed acrylics.

Ideal for all types of printing techniques, including offset, engraving, foil stamping, embossing, and letterpress, Legion Bamboo’s luxurious finish and unique surface is also great for watercolors, acrylics, and pastels, as well as for sketching and drawing with charcoal.

Use any painting and drawing media you choose on this fine quality, crisp white paper! Multimedia/Aquarelle Paper consists of 100% cotton fiber, is acid-free, and has a neutral pH. The paper is 140 lb (300 gsm) weight, and has an uneven textured surface.

This heavyweight (80 lb), acid-free, sulphite art paper has a natural white color, a medium tooth, and extra sizing to accept all types of media. Use Art1st Mixed Media Paper with pencils, colored pencils, charcoal, pen-and-ink, markers, oil pastels, and most wet media.

Choose Richeson Bulk Printmaking Paper in a variety of sheet sizes and pack sizes for big savings. The perfect surface for lino block printing, wood block printing, etching, sumi, monoprinting, bookbinding, stamping, watercolors, and mixed media. Acid-free. Internally and externally sized.

Shizen Black Watercolor Paper is a professional-grade, 100% cotton rag paper externally and internally sized with vegan sizing. This 100% recycled, 140 lb (300 gsm) paper is acid-free. Choose cut or deckle edges. For metallic, pearlescent, and iridescent watercolors, and dry media.

The Stillman & Birn Zeta Series Archival Mixed Media Paper Pack holds five 22" x 30" sheets of white, 180 lb (270 gsm) paper. Internally and surface sized for multiple wet media washes, with a smooth surface for exceptional line control with pen-and-ink and a full range of dry media.

For dry media and ink as well as mixed media work, Stillman & Birn Beta Series Archival Mixed Media Paper is internally and surfaced-sized for exceptional wet strength, wet media layering, lifting, and repeated erasing. Five 22" x 30" sheets of 180 lb (270 gsm), natural white, rough surface paper.

Appropriate for studies rendered with dry media and ink as well as mixed media artwork, Stillman & Birn Delta Series Archival Mixed Media Paper is both internally and surfaced-sized to provide exceptional wet strength for layering of wet media, lifting of pigment, and repeated erasing without damage. This pack contains five sheets of 180 lb (270 gsm) ivory paper with a rough surface. Ideal for multi-media renderings, the paper has a substantial tooth, as well as enhanced wet strength and tear strength.

This heavyweight, cream-colored paper was designed especially for the acrylic painter, but it is also appropriate for a variety of painting and drawing applications. Sheets have a toothy linen finish. 246 lb (400 gsm) weight.

These professional-quality sheets and boards from Strathmore offer true wet and dry media performance. The surface is internally sized to accept wet media yet features a durable vellum finish for traditional drawing techniques.