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Matisse

Radical Invention, 1913–1917

The works that Henri Matisse (1869–1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail.

This handsome book, containing 515 color and 138 black-and-white illustrations, represents the first sustained examination of Matisse's output from this important period. It reveals fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research.

Featuring in-depth studies of individual works such as Bathers by a River and The Moroccans, which Matisse himself counted as among the most pivotal of his career, Matisse: Radical Invention, 1913–1917 facilitates a greater understanding of the artist's innovative process and radical stylistic evolution.

Stephanie D'Alessandro is the Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago.

John Elderfield is the Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art.

Authors — Stephanie D'Alessandro and John Elderfield.

Paperback. 368 pages. 9¾" × 12¾" (25 cm × 32 cm).

Matisse: Radical Invention, 1913–1917
Matisse: Radical Invention, 1913–1917
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Matisse: Radical Invention, 1913–1917
Matisse: Radical Invention, 1913–1917
Matisse: Radical Invention, 1913–1917
Matisse: Radical Invention, 1913–1917

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