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Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion, and form durable films when dry. They have excellent flexibility and resistance to chemicals, water, abrasion and ultraviolet radiation. When added to acrylic paint, they alter the handling characteristics, appearance or volume to produce an infinite variety of effects.
Mediums are non-yellowing, non-sticky when wet, and non-tacky when dry. They dry slowly by evaporation, display excellent adhesion, and are non-toxic and intermixable. Available in different viscosities and sheens.
This medium enhances the workability of Liquitex Acrylics on fabric. It controls bleeding in transparent designs and gives a smooth, consistent flow of paint. Reducing the stiffness that results when using acrylic directly from the jar, it also eliminates the need to scrub roughly textured fabrics in order for paint to adhere to or penetrate surface of the fabric. This fabric medium prevents paint from dragging, skipping, and other uneven applications.
Flexible Modeling Paste
A matte, opaque mixture of marble dust and polymer emulsion that is used to build heavy textures and three-dimensional forms on flexible or rigid supports.
Flow-Aid Fluid Additive
Increases the flow, absorbency, and blending of any water-based paint, ink, or dye. Minimizes brushstrokes. Use with Liquitex Soft Body color to create very fluid washes without hard edges; create staining effects on raw canvas and produce a fluid spray when mixed with acrylics in airbrushes or air guns.
Gel Medium, Gloss
A high viscosity medium, it dries to a crystal clear gloss finish for sparkling, transparent impastos and textured glazes. Translucent when wet, it is transparent to translucent when dry depending on the thickness of the application. An ideal paint extender, it increases the brilliance and transparency of color without changing paint thickness, resulting in paint similar in color depth to oil paint. Use it as an extender, a ground, or as the binder for powdered pigments to make an inexpensive "student grade" high viscosity thick gloss paint.
Gel Medium, Gloss Heavy
A heavy-bodied medium of great density and extra high viscosity, Heavy Gel dries to a translucent gloss finish. It increases body, density and viscosity, attaining the consistency of oil paint with brush or palette knife marks. Extending paint while increasing brilliance and transparency, it keeps paint workable longer than other gel mediums. Use it as an extender, a ground, or a binder for powdered pigments to make an inexpensive "student grade" extra-heavy viscosity thick gloss paint.
Gel Medium, Matte
A high viscosity medium, Matte Gel displays the same qualities as the Gel Medium, except that it dries to a satin, matte finish, and has greater adhesive abilities. Use it as an extender, as a ground, for impasto effects, or as a binder for powered pigments to make an inexpensive "student grade" high viscosity thick matte paint.
Gel Medium, Super Heavy Gloss
A superior adhesive for collage and mixed media projects, or create sculptural effects and high-peak consistency. Dries clear to translucent depending upon thickness, with very low shrinkage. Flexible, non-yellowing, and water-resistant when dry.
Liquitex Gloss Medium is also known as "Gloss Medium Varnish." Use it as a non-removable final picture varnish where a glossy protective coat is desired, or as a painting and glazing medium. It enhances the depth of color intensity, increases transparency and gloss, eases the flow of paint, and adds flexibility and adhesion to the paint film. Translucent when wet, and transparent when dry, this 100% acrylic polymer varnish is water-soluble when wet and can be thinned. Use it as an extender, a fixative, a ground, or a varnish.
Note — Liquitex Gloss Medium is also known as "Gloss Medium Varnish." We disagree with this terminology, because a varnish must technically be removable from the paint surface. Use a true varnish if, for conservation reasons, the varnish must be removable at a later date.
Introductory Mediums Set of 6
This set offers a great chance to try out six Liquitex best sellers and innovative new products in 100 ml size. Includes one jar each Clear Gesso, Slow-Dri Blending Medium, Flexible Modeling Paste, Gloss Super Heavy Gel, Pouring Medium, and High Gloss Varnish.
Iridescent Tinting Medium
Producing a range of iridescent or metallic colors when mixed with acrylics, this medium viscosity medium allows the artist to control iridescent intensity. It is opaque when wet, transparent to translucent when dry, and will not oxidize.
Liquitex Palette Wetting Spray
Liquitex Palette Wetting Spray slows drying time of acrylic color on palette or canvas. It also improves color blending. Simply spray and re-spray as needed to prevent acrylic paint from skinning over.
This archival gel additive boasts a unique polymer formula that thickens acrylic paints and mediums without adding transparency. Used in small amounts, it produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, it can thicken paint or mediums to a "cake-like," sculptural consistency. It dries to a matte sheen in anywhere from 24 hours to 7 days, depending on the amount used.
Mix medium viscosity Matte Medium with acrylic colors for completely matte, dull and flat effects and a non-reflecting finish. When mixed with acrylic paint, it extends color, increases transparency, matte and film integrity, eases paint flow, and adds to the flexibility and adhesion of paint film. It is opaque when wet and translucent when dry. Use it as an extender, a fixative, or a ground. Mix with Gloss Medium for a semi-gloss or satin medium.
This extra high viscosity paste is made from marble dust and 100% polymer emulsion. Suitable for building heavy textures on rigid supports and three-dimensional forms, it dries to the hardness of stone. It can be textured while wet and sanded or carved when dry. Dry paste out in the container for use as clay. Drying too quickly on surfaces causes cosmetic, not structural cracking. Modeling paste adheres to any non-oily, absorbent surface. When it is mixed with acrylic colors, it acts as a weak tinting white while increasing thickness and rigidity. Used extensively for decorating picture frames, it can be used for sculptural or paper-mache purposes, rigid support, flexible support, and as an absorbent or non-absorbent ground.
Designed to reduce crazing in poured applications, this fluid medium dries clear, glossy, and flexible. Mixed with soft body palette color, it is ideal for pouring puddles and acrylic sheets.
Slow-Dri Blending Fluid
This clear-drying Blending Fluid is uniquely formulated for superior surface blending with acrylics. Add up to 50% of this medium without jeopardizing the strength of the paint. It increases the "open" working time up to 40%. Great for forming softer edges and modeled forms. It dries clear, and is flexible, non-yellowing, and water-resistant when dry.
Slow-Dri Fluid Retarder
Use this additive with Liquitex Acrylics to extend drying time. It increases transparency when floating, shading, blending, and washing colors. Use Slow-Dri Fluid Retarder in place of water before loading the brush with paint, to eliminate drag and improve flow. It helps to reduce paint skinning on the palette, and is excellent for liner work, transparent washes, and wet-on-wet techniques. Cleans up with soap and water.
This clear-drying gel has characteristics similar to Slow-Dri Blending Fluid. Use it where retention of brushstrokes and impasto effects are desired. It increases the "open" working time up to 40%. It dries clear, and is flexible, non-yellowing, and water-resistant when dry.
Slow-Dri Gel Retarder
Use this additive with Liquitex Heavy Body Artist Color, Liquitex Heavy Body Mediums, and all other acrylic paints and mediums when working in low humidity, or whenever increased workability and blending time are desired. Similar to Slow-Dri Fluid Retarder (except in a heavy-body, thick consistency), Slow-Dri Gel Retarder also retains brushstrokes and adds body when added to to lower-viscosity colors such as Liquitex Soft Body Artist Color and Soft Body Mediums. Add no more than 25% to paint, as the absence of a binder may weaken the stability of the paint film if too much is added.
Enhances depth of color, while increasing transparency and flow. Dries glossy and transparent with a honey-like consistency. It is also permanent, non-yellowing, flexible, and water-resistant.
Super Heavy Matte Gel
Extra heavy body for thickening and blending acrylic color. It extends the volume and increases transparency, while slowing drying time. Translucent finish retains high peaks, crisp brush, and knife strokes.
Ultra Matte Gel
Use ultra Matte Gel to extend paint up to double amounts without changing color position. Dries to a matte finish, maintaining color opacity.
Shipping Note — Due to manufacturer distribution restrictions, Liquitex products cannot be shipped to addresses outside of North America.
Quarter Pint Bottle
Half Pint Bottle/Jar
Half Gallon Jar
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(based on 87 reviews)
of respondents would recommend this to a friend.
Reviewed by 87 customers
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By the Master
from North Carolina
Comments about Liquitex Acrylic Mediums:
This is for the Liquitex Palette Sprayer. The first spray of the session always blobs out and runs down the bottle. It sometimes drops a blob onto whatever is under it, including a mass of color on the palette. It is quite annoying to have this happen. I may return the product for a refund. I am not certain that it keeps paint on the palette pliable/viable.
Bottom Line No, I would not recommend this to a friend
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from Waynesville NC
Had help choosing product. Worked really well
Bottom Line Yes, I would recommend this to a friend
Images shared by TR
So Many Uses!
from Mountains of CA
Liquitex Gloss Gel Medium SERIOUSLY ROCKS. I build painting panels from reclaimed wood. The gel medium is an excellent glue to slather under the cross-bars that that I screw into the fence boards. I also use this medium for mounting paintings done on paper onto a wooden support. Thinning the gel with distilled water makes a good isolation layer on a painting that I can varnish over. And besides all that, the gel is great for sticking things together when doing mixed media! I keep it in the studio at ALL TIMES. Love!!!
liquitex is a little expensive to use students
Pouring Medium Heavan
By Madame Painter
The pouring medium is pretty amazing. It dries super clear - but takes a while to dry and its nature is to run off the surface if the surface is not level. You can make some great acrylic skins with this.
from sylva n.c.
Painting good mediums
I would buy this product again and again
from Madera, CA
I use this product in my spray bottle as I paint wet on wet using acrylic paint. I also use it as a binder as a binder with water on acrylics to create abstract art .Great Product and great price. Shipment arrived on in a timely fashion. Thank You.
By Best New Artist in Americaa
from Wichita, Kansas
I Love working with this brand of medium.
Images shared by Best New Artist in Americaa
Giving to help others, Do unto others as you would
Tags: Made with Product, Using Product, Samaritian Heart
These mediums can step your art up a notch
By Onyxwings art
from Chicago il
I have used several mediums but the pouring medium is amazing. Blends with any color and has a great consistency. Quick dry time, and solid glazing effect.
Love this stuff!! Acrylic Gel Matte Medium-yum!
from SW OK
I buy in the largest pail and scoop into small lidded container. I use for attaching everything to mixed media projects and in art journal. Also great for thickening paint to add texture and with stencils.
Many times acrylic artists want to be able to slow down the drying rate of their paints in
order to use blending techniques. Liquitex Slow-Dri Mediums and Additives eliminate the
need for an entire new line of slow drying paints. Add these gels, liquids and sprays to your
Liquitex Acrylic Colors for a whole new approach to your acrylic painting.
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