Mouldmade in France, this clear, white paper is recommended for screenprinting and, if slightly moistened, for intaglio. Arches 88 is a heavyweight (140 lb) 100% cotton fiber paper. It's acid-free, neutral pH, buffered, and is unsized for high absorption.

Mouldmade in France for printmaking and publishing, Arches Cover has a pronounced grain, 2 watermarks and 2 natural deckle edges. It works beautifully as a drawing surface. 100% cotton fiber, acid-free, pH neutral, internally sized and buffered.

Arches Text Wove is an acid-free, mouldmade, 120 gsm paper that was designed for letterpress and book arts, but it's also excellent for calligraphy and drawing. Made from 100% cotton, Text Wove has a unique look and feel. Its natural white color won't yellow.

"Beautiful" is not too strong a word to describe Canson Edition papers. These are luxurious 100% cotton, acid-free papers that deliver excellent performance with a variety of media.

BFK Rives has a unique, fine-grained smooth surface and structure, and a pure white tone that is ideal for sophisticated photographs, museum-grade applications, and fine art printmaking. Internally buffered and acid-free.

Rag Photographique is a 100% cotton, museum-grade white fine art paper developed by Canson to meet the longevity requirements of the digital fine art market. It is ideal for fine art photography as well as fine art printmaking.

Exceptionally strong and versatile, Fabriano Tiepolo Printmaking Paper withstands the wear and tear of rigorous techniques. Featuring a traditional Italian soft white color, this 100% cotton, mouldmade, acid-free paper has four deckle edges and a beautiful watermark. 290 gsm.

This unique vellum finish paper works well for silkscreening, offset lithography, hand lithography, etching, embossing, watercolor, pastel, charcoal, and pencil. Machine made in the USA of 100% cotton.

Legion Coventry Rag Paper is one of the most versatile papers and can be used for all fine art techniques. It's machine made in the USA of 100% cotton. The paper is pH neutral, and deckled on 2 sides. 290 gsm.

Rising Barrier Paper is suitable for a variety of applications. This paper is actually a single-ply version of Rising Museum Board. A popular paper because of its versatility, Rising Barrier Paper can also be used for hand lithography, letterpress, matting, offset printing, pastels, and charcoal.

Magnani Pescia Paper is a wonderful printmaking paper with a creamy smooth surface for stone lithography, etchings, woodcuts, or silkscreen, as well as drawing, charcoal, or pastel work. Mouldmade in Italy from 100% cotton. Chlorine-free with neutral pH.

The Revere line of papers is a deluxe 100% cotton sheet that is suitable for all print and drawing techniques. Although it is offered at an affordable price, Magnani has not compromised the quality or integrity expected from a sheet of this type.

This popular, fine French printmaking paper has a smooth, absorbent surface. Rives Papers, are acid free, 100% cotton, soft-sized and buffered, perfectly suited for lithography, intaglio, screenprinting, relief printing, linocut, collotype, and drawing.

Use Somerset printmaking paper for any printmaking application. It is equally superior for drawing, charcoal or pastel works. Mouldmade of 100% cotton, it has a neutral pH, is chlorine free, internal and surface sized, with 2 natural and 2 tear deckles.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that's slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil or pastel. Stonehenge is machine-made in the USA from 100% cotton fibers.