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Repoussé (or Repajado in Spanish cultures) is an ancient form of relief sculpture in which a
design is pressed into a sheet of metal to create a 3-dimensional surface. Ancient Greeks
worked in bronze to decorate armor. Byzantine artists described religious events and persons in
bronze and gold. Mexican and South American artisans have used copper and tin for centuries
to produce jewelry and ornamental items. Gold, silver and bronze metals are heated and formed
by hammering or using special tools, while copper and tin are suitable for working by hand.
Softer metals are usually attached to a permanent base when finished, such as wood, stone or
other metals, to retain the shape.
This classroom-friendly repoussé project uses a matte-black aluminum foil sheet and soft colored
pencils. Unlike smooth metal foils, the matte surface readily accepts pencil shading.
Students can draw on the front and the back of the piece, creating different levels of embossing.
The contrast between the patina-colored metal surface and the colored pencils resembles
stained glass or enamel inlay.
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Grade Levels
512
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Lesson Objectives
- Students will learn to employ a basic metalworking technique by embossing lines
and textures into a soft metal
- Students will apply design elements including line, texture and color while
considering their relationship to a 3-dimensional surface. They will be required to divide
areas of color with an embossed area or line
- Students will look for and recognize examples of embossed metals in historical and
contemporary examples.
- Students will be able to recognize the visual differences between cast metal and
embossed metal.
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Historical/Cultural Relativity
Refer to historical examples of plates, jewelry, masks, armor, shields,
swords, picture frames, etc. Look for examples or imitations of repousse in use
today. If you are linking cultural studies, look for examples from Mexico and
South America, Celtic nations, and ancient Mediterranean cultures in particular.
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Preparation
ArtEmboss is easy to cut with scissors, craft knife or paper cutter. Cut into 4-1/2" x 6" pieces or
smaller. Cut matboard backing pieces so that they are 1/2" shorter and narrower than the metal
piece, leaving 1/4" on all sides to wrap the edges. Cut paper for the preliminary drawings the
size of the matboard.
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Procedure
- Have students prepare preliminary drawings. Students will need to understand that areas of
color will be divided by black embossed lines, so line work is very important. Have them draw
over their pencil lines with a black marker. Looking at stained glass examples or patterns may
be helpful.
- Caution students before they begin that the metal is thin and fragile, and can be torn by too
much pressure, sharp tools or even overly sharpened pencils. Pencils that are slightly dull make
the best tools for this project, so they may need to wear a point down on their preliminary drawing
sheet before applying it to the metal..
- Embossing should be done on magazines, newspapers, etc, not on a hard desktop. Center
the matboard on the back side of the metal sheet. Using the modeling tool or a pencil, have the
students trace the edges of the matboard to form a rectangular border.
- Center the preliminary drawing within the border. Students can transfer their sketches
directly onto the back of the piece by tracing over the lines with a pencil or modeling tool.
- As students work their drawings with the colored pencils, have them press alternately from
the front and back to create varying raised and lowered areas. Blending colors to shade and
highlight areas will enhance the 3-dimensional effect.
- When the drawings are completed, have students turn the piece face down and place the
matboard on the back. Snip the corners of the metal sheet at an angle towards the matboard on
all four corners. Fold the metal sheet around so it's secured to the matboard. Use the modeling
tools to press down and smooth the sides and corners.
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Variations
- Use a small piece of ArtEmboss and add a pin back to create a brooch, or attach a
magnet back.
- Cut matboard in various shapes and wrap ArtEmboss to create circles, letters,
photo frames, etc.
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Topics for Discussion
- Explain the differences between embossed metal
and cast metal. What are advantages of each? (material
strength, detail, expense, time considerations, creating
multiples)
- Why do you think ancient artists created repousse
instead of paintings or sculptures?
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National Standards
Content Standard #1 Understanding and applying
media, techniques and processes
5-8 Students intentionally take advantage of the
qualities and characteristics of art media, techniques
and processes to enhance communication of their experience
and ideas.
9-12 Students apply media, techniques and processes
with sufficient skill, confidence and sensitivity that
their intentions are carried out in their artworks
Content Standard #4 Understanding the visual arts
in relation to history and culture
5-8 Students know and compare the characteristics
of artworks in various eras and cultures
9-12 Students analyze relationships of works of art to
one another in terms of history, aesthetics and culture,
justifying conclusions made in the analysis and using such conclusions
to inform their own art making.
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