Gold
|
10% off $59 or 15% off $99 or 25% off $199 plus Free Shipping on orders $99 or more!* Use code CDGB Expires 05/23/13 Learn More>
Art Supplies from Blick
Welcome to dickblick
order by phone... 1-800-828-4548
order by item number...add items to my cart
resources:
Browse more:
« See more Sakura Cray-Pas Specialist Oil Pastels
20047-9010 — Gold
|
Exceptional color intensity, smooth and soft textured, highly lightfast pastels. For fine detail (using their square corners), or for glazing and wash techniques with various oil painting mediums. Unwrapped. |
Color Swatch created using heavy to light application and was applied on 100 lb (163 gsm) drawing paper material.
This color contains the following pigments:
PY42—Yellow Ochre
Pigment Type
n/a
Chemical Name
iron(III)-oxide, hydrated
Chemical Formula
Fe2O3 • H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
Toxicity
Yellow Ochre is non-toxic unless it contains manganese.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Alternate Names
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.
PY55—Diarylide Yellow Deep
Pigment Type
organic, disazo
Chemical Name
n/a
Chemical Formula
C34H30Cl2N6O4
Properties
Diarylide Yellow Deep is a semi-transparent deep yellow pigment with high tinting strength.
Permanence
Diarylide Yellow Deep is less lightfst than other diarylide yellows, often rated fair. Its fightfastness has been rated only 5 on the blue wool scale (5-8).
Toxicity
Diarylide Yellow pigments have no significant acute hazards, but possible chronic hazards have not been well studied.
History
n/a
Alternate Names
Pigment Yellow 2RN, Diarylide Yellow AAPT, Symuler Fast Yellow RF.
PR101—Red Iron Oxide
Pigment Type
earth, synthetic
Chemical Name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical Formula
Fe2O2 or Fe2O3 • H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Alternate Names
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.
PR102—Natural Light Red Iron Oxide
Pigment Type
inorganic, natural
Chemical Name
iron oxide
Chemical Formula
Fe2O2
Properties
Natural Light Red Iron Oxide is a brick red pigment with a bright, scarlet top tone. Mineral sources vary considerably in both hue and transparency. It is generally opaque and has great tinting strength and hiding power, but more transparent versions are available. It creates salmon pinks when mixed with white. Natural Light Red Iron Oxide is often replaced by Mars colors or bright red oxides, which are cleaner and more powerful.
Permanence
Natural Light Red Iron Oxide has excellent permanence and lightfastness.
Toxicity
Natural Light Red Iron Oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Alternate Names
Antwerp Red, Bole, Light Red, Colcothar, English Red, Morelle Salt, Persian Red, Persian Gulf Oxide, Poliment, Pompeian Red, Prussian Brown, Prussian Red, Red Iron Oxide, Sinopia, Spanish Red, Turkey Red.
PBr6—Mars Brown
Pigment Type
n/a
Chemical Name
iron oxide
Chemical Formula
Fe2O3
Properties
Mars Brown has similar general properties to the pure red oxides, and it is often a mix of synthetic forms of oxides such as PY42, PR101, and PBk11. Its tinting strength is low, and it dries quickly. Hues vary based on manufacturer.
Permanence
Mars Brown has excellent permanence and lightfastness, with outstanding resistance to chemicals, heat, and weather.
Toxicity
Mars Brown is not considered toxic, although care should be taken not to breathe its dust.
History
Unknown.
Alternate Names
Brown Iron Oxide.
PBr7—Burnt Sienna
Pigment Type
earth
Chemical Name
iron oxides
Chemical Formula
Fe2O3
Properties
Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
Permanence
Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
Toxicity
Burnt Sienna has no significant hazards.
History
Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Alternate Names
Caput Mortuum, Italian Earth, Natural Brown Iron Oxide, Sienna, Spanish Red, Vandyke Brown.
PW20—Mica
Pigment Type
inorganic
Chemical Name
aluminum silicate
Chemical Formula
H2KAl3(SiO4)3
Properties
An off-white pigment with complex reflective effects, mica is often used with transparent pigments to create mixed pigments with interference and pearlescent effects.
Permanence
Mica is permanent and lightfast.
Toxicity
Although it is completely non-toxic and not bioreactive, fine particles may be irritating. This is of concern primarily for those exposed occupationally to dry mica powder. Breathing mica particles may cause lung fibrosis and pneumoconiosis.
History
Mica has been used as a pigment since prehistoric times.
Alternate Names
n/a
PW6—Titanium White
Pigment Type
inorganic
Chemical Name
titanium dioxide
Chemical Formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. Titanium White, if inhaled in large amounts over the course of several years, may cause a benign pneumoconiosis that is visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Alternate Names
None.
PM1—Aluminum
Pigment Type
inorganic
Chemical Name
aluminum
Chemical Formula
n/a
Properties
Powdered aluminum is used to create silvery metallic and interference effects.
Permanence
Aluminum powder is lightfast, but it must be protected from oxidation. Under normal conditions, aluminum metal is protected by a thin layer of oxides that forms on the metallic surface.
Toxicity
Aluminum is an abundant element, but it occurs naturally in non-toxic forms as a mineral oxide, not as a metal. Aluminum metallic powder is considered safe when it is suspended in an acrylic binder, for use in specialty artist and craft paints. Aluminum metal is toxic, but ill effects are generally observed only with long-term exposure. It is not easily absorbed in the gastro-intestinal tract. It can cause irritation to eyes, skin, and the respiratory tract. Long-term exposure may lead to pulmonary fibrosis. Aluminum powder is flammable and has a low flash point.
History
Although aluminum is an abundant element in the Earth's crust, it was a semi-precious metal until the late 19th century, when an electrolytic process was developed for extracting aluminum from the mineral oxide forms in which it naturally occurs.
Alternate Names
Interference Silver
® Sakura is a registered trademark.
- Dick Blick Art Materials
- ·
- P.O. Box 1267
- ·
- Galesburg, IL 61402-1267
- ·
- Phone (800) 828-4548
- ·
- Fax (800) 621-8293
Dick Blick Art Materials®, Blick®, Blick Studio®, and Artists Pick Blick® are registered trademarks of Dick Blick Holdings Inc. © Copyright 1999-2013 Dick Blick Holdings Inc. All rights reserved.
|
|