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Sennelier keeps a watchful eye on the pigments selected for its lines of extra-fine oils, oil sticks, watercolors, soft pastels, and oil pastels. These same pure pigments are now available to artists wishing to master the preparation of their own colors.
Color Swatches created using loose powder and were applied on 4" diameter × ½" deep dish of plastic material.
iron(III)-oxide, partly hydrated
Brown Ochre provides artists with earthtones from cream to brown and is a dull, dark variety of Yellow Ochre. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. The highest quality Brown Ochre comes from Cyprus, where it is yellow in its raw form and is roasted to get the deeper brown-red varieties that result when water is removed. (See Yellow Ochre, PY42/43.)
Brown Ochre has excellent permanence.
Brown Ochre is non-toxic.
Ochre comes from the Greek word ochros, meaning pale yellow. It has been used since prehistoric times, and evidence of its use has been found in some of the earliest known cave paintings in Lascaux, France. It has also been called Goethite, after the German philosopher and mineralogist Johann Wolfgang von Goethe (1749-1832).
Goethite, Yellow Ochre.
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