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Available in an astounding range of colors, Daniel Smith Extra Fine Watercolors are made by hand in Seattle, Washington. This superior-quality watercolor line includes historical hues, amazing earths, and some of the brightest and boldest quinacridones ever formulated.
Color Swatches created using heavy application/diluted application and were applied on cold press watercolor paper (150 lb) material.
cobalt(II) oxide + aluminum oxide
CoO + Al2O3
Cobalt blue is a semitransparent pigment with low to moderate tinting strength. When it dries, it appears lighter and less saturated. Pigment particles are large and grainy. Differences in how the pigment is ground and mixed lead to considerable differences in its performance among various manufacturers.
Cobalt blue is absolutely lightfast and extraordinarily stable. The stability of cobalt salts at high temperatures make them the standard for blues used in ceramics and glassware.
Cobalt salts are toxic. Avoid respiratory and skin contact. Soluble cobalt may cause irritation and allergic reaction through contact with skin. It is considered a possible carcinogen.
Since ancient times, smalt blue has been used to color glass and ceramics. Cobalt salts, which give smalt its characteristic blue color, were identified in the 18th century. Techniques for manufacturing Cobalt Blue, a chemically pure salt of cobalt and aluminum oxide, were developed in 1802.
Oxides of Cobalt and Chromium
Cobalt Chromite Blue is an opaque pigment with moderately low tinting strength.
Cobalt salts have excellent lightfastness and temperature stability.
Cobalt salts are toxic when ingested or inhaled, and slightly toxic on contact with the skin. Evidence of Chromium(III) carcinogenicity is inconclusive. Chromium(III) salts appear in greenish pigments.
Cobalt Turquoise, Shepherd Blue
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Zinc White has great permanence and lightfastness.
Zinc White is moderately toxic if ingested and slightly toxic if inhaled.
Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.
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CA Prop 65
Material Safety Data Sheet
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