Color Swatch created using heavy application/diluted application and was applied on cold press watercolor paper (150 lb) material.
This color contains the following pigments:
PV3—Methyl Violet 2B
Pigment Type
organic, triarylcarbonium
Chemical Name
tetramethyl violet
Chemical Formula
C24H28N3Cl
Properties
Methyl Violet 2B is a staining, transparent violet dye. It turns yellow when exposed to strong acids.
Permanence
Methyl Violet 2B will fade with exposure to ultraviolet light.
Toxicity
Methyl Violet 2B is harmful to living cells and organisms, so it is diluted in medical and biological applications as a topical fungicide or disinfectant. Methyl Violet 2B may cause irritation to the skin, eyes, respiratory tract, or gastrointestinal tract, however no long-term or chronic ill effects are known.
History
Methyl Violet dyes are used in medical, biological, and pharmaceutical applications. Common Methyl Violets include Methyl Violet 2B, Methyl Violet 6B, and Methyl Violet 10B. They are often used as biological stains for cytology. The common name Gentian Violet is sometimes applied to this class of dyes. In very dilute form, Gentian Violet is often used as an antifungal agent, including in applications where there is contact with skin and other tissue. Paper impregnanted with Methyl Violet 2B is used to test pH because it turns yellow at pH 0.
Alternate Names
Gentian Violet, Fast Violet Toner R, Fast Violet Lake, Basic Violet 1.
PR122—Quinacridone Magenta
Pigment Type
organic, quinacridone
Chemical Name
n/a
Chemical Formula
C22H16N2O2
Properties
Quinacridone Magenta is a semi-transparent and powerful bluish red with an impressive mixing range. It makes an excellent glazing color and is one of the bluest of the Quinacridone colors. The pigment's properties vary considerably, depending on how it is ground. Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Permanence
Quinacridone Magenta offers very good lightfastness in most media, but some have argued that it is less lightfast in watercolor form. Although Quinacridone Magenta received only a passing grade of "fair" under ASTM test protocols, other test results have rated the pigment very good to excellent. Transparent reddish violet pigments in general have more problems with lightfastness than any other range of colors. PR122 is often used as the Magenta of CMYK (four color) process printing because it offers a better tradeoff between tinting strength and lightfastness than other pigments in its class.
Toxicity
Quinacridone Magenta has no acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
History
Quinacridone Magenta came from a red violet aniline dye that was first produced in 1858 by Natanson. It was called Magenta to commemorate a battle in Magenta, Italy. Over time, Magenta became the standard color name for a deep, violet red. Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. PR122 has become particularly popular in the formulation of Magenta for CMYK process printing.
Alternate Names
Acra Red, Quinacridone Violet (PV19), Thalo Red Rose.
PB29—Ultramarine [Blue]
Pigment Type
inorganic
Chemical Name
complex silicate of sodium and aluminum with sulfur
Chemical Formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Alternate Names
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet’s Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
