Color Swatch created using heavy application/medium application/50% tint and was applied on acrylic primed canvas (7 oz) material.
This color contains the following pigments:
PR122—Quinacridone Magenta
Pigment Type
organic, quinacridone
Chemical Name
n/a
Chemical Formula
C22H16N2O2
Properties
Quinacridone Magenta is a semi-transparent and powerful bluish red with an impressive mixing range. It makes an excellent glazing color and is one of the bluest of the Quinacridone colors. The pigment's properties vary considerably, depending on how it is ground. Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Permanence
Quinacridone Magenta offers very good lightfastness in most media, but some have argued that it is less lightfast in watercolor form. Although Quinacridone Magenta received only a passing grade of "fair" under ASTM test protocols, other test results have rated the pigment very good to excellent. Transparent reddish violet pigments in general have more problems with lightfastness than any other range of colors. PR122 is often used as the Magenta of CMYK (four color) process printing because it offers a better tradeoff between tinting strength and lightfastness than other pigments in its class.
Toxicity
Quinacridone Magenta has no acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
History
Quinacridone Magenta came from a red violet aniline dye that was first produced in 1858 by Natanson. It was called Magenta to commemorate a battle in Magenta, Italy. Over time, Magenta became the standard color name for a deep, violet red. Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. PR122 has become particularly popular in the formulation of Magenta for CMYK process printing.
Alternate Names
Acra Red, Quinacridone Violet (PV19), Thalo Red Rose.
PR57—Lithol Rubine
Pigment Type
organic, monoazo
Chemical Name
n/a
Chemical Formula
C18H12N2O6, sodium salt
Properties
Lithol Rubine is a deep transparent red dye, generally slightly bluish, that is laked as a salt with sodium or calcium to form a pigment. PR57 is the sodium salt, and has a more bluish tone. PR57:1 is the calcium salt, and is the most widely used. Lithol Rubine makes clean pinks when tinted. Sources vary greatly in hue and transparency. Lithol Rubine has high tinting strength.
Permanence
Lightfastness is considered only fair to good. Superior products are available when lightfastness is paramount. Where greater lightfastness is needed in process color printing, the more expensive pigment PR184, a Naphthol AS pigment, is often substituted for Lithol Rubine.
Toxicity
Lithol Rubine is not considered toxic. It is used in food, drugs, and cosmetics, such as lipstick. It can be used in art materials intended for children.
History
Lithol Rubine pigments (especially the calcium salt PR57:1) are widely used in inks, paints, plastics, and textiles. Lithol Rubine is widely used as magenta in process color printing.
Alternate Names
4B Toner, Pigment PR57:1 is also known as D&C Red No 7, Ruby Red, Brilliant Carmine.
PW6—Titanium White
Pigment Type
inorganic
Chemical Name
titanium dioxide
Chemical Formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. Titanium White, if inhaled in large amounts over the course of several years, may cause a benign pneumoconiosis that is visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Alternate Names
None.
